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WITH JUSTICE FOR SOME

DEFENDING VICTIMS IN CRIMINAL TRIALS

This sharp, sensible, ``angry'' book explores how four classes of disempowered Americans look to the criminal justice system to vindicate past grievances, and how the courts too often betray them. Using recent front-page criminal cases, Fletcher (Law/Columbia Univ.; Loyalty, 1992, etc.) shows how when crime victims are gays, blacks, Jews, or women, the defense counsel can exploit the prejudices of judge and jury. Fletcher explains how the preposterous ``Twinkie defense''—the argument that Dan White murdered San Francisco's gay supervisor Harvey Milk and mayor George Moscone as a result of binging on junk food—gave jurors the opportunity to avoid convicting White of murdering someone whose lifestyle they found repugnant. Similarly, the first trial in the Rodney King beating was derailed by the defense's ability to change the venue of the trial to white suburban Simi Valley, and by the prosecution's decision to forbid King to testify—he remained a symbol to the jury of drug-crazed black rage. Fletcher draws an intriguing parallel between that trial and those for the murders of Jewish nationalist Meir Kahane and scholar Yankel Rosenbaum, which were tainted by the defense's ability to stir up the anti-Semitism of minority jurors. Then, in a surprising about-face, he argues that the ability of women to exploit their status as victims has led to some erroneous convictions, most notably that of Mike Tyson, who may have been ``honestly and reasonably mistaken'' as to Desiree Washington's consent. Fletcher also argues that when minorities rallly behind crime victims from their group, they fuel the defense's ability to exploit jurors' prejudices, but this part of his argument never quite gels. The author has concrete suggestions for making our criminal justice system more just for victims and defendants: e.g., abolish changes of venue, permit the victim to question witnesses and veto plea bargains, limit the testimony of ``experts.'' His style is robust, straightforward, and notably jargon-free. For its sensitivity to the rights of victims and defendants alike, a remarkable work.

Pub Date: Jan. 1, 1995

ISBN: 0-201-62254-8

Page Count: 320

Publisher: Addison-Wesley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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