Exemplary journalism that defines a sobering, even depressing matter. A foundational document in the literature of the end...
New Yorker writer Packer (Interesting Times: Writing from a Turbulent Decade, 2009, etc.) ranges across the country to chronicle the time when “the coil that held Americans together in its secure and sometimes stifling grip first gave way.”
“I am the empire at the end of the decadence.” Thus said the French poet Mallarmé. Packer describes the decline of America from a very specific time: If you were born half a century ago, around 1960, then, he writes, “you watched structures that had been in place before your birth collapse like pillars of salt across the vast visible landscape.” While forces are picking away at the pillars that still stand (Social Security, public education, privacy, etc.), and while only money seems to matter, the author offers the tiniest comfort in the thought that America has declined and fallen before. Still, this decline seems steeper than those others, save for the Civil War. Among his subjects are the city of Tampa, Fla., which once “was going to be America’s Next Great City” but is mired in stagnation and desperation, and a struggling, no-longer-aspirational factory worker named Tammy, one of whose co-workers sagely observes, “Most people wouldn’t survive in a factory. Mitt Romney would die in a week.” Against these depressed landscapes and people, Packer juxtaposes a few who are doing a bit better: Raymond Chandler, “a drinker” whose lapidary stories of blue-collar America have become classics; Oprah Winfrey, empire builder; and Colin Powell, empire builder of another kind. Packer’s repetitive structure—a chapter on Tammy followed by one on Tampa followed by other pieces—hammers home the point that all is not well in America and not likely to get better soon, the promise of “acres of diamonds in Greenville [N.C.]” notwithstanding.
Exemplary journalism that defines a sobering, even depressing matter. A foundational document in the literature of the end of America—the end, that is, for the moment.Pub Date: May 21, 2013
ISBN: 978-0-374-10241-8
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 14, 2013
Kirkus Reviews Issue: April 1, 2013
PROFILES
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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