A discerning portrait of the writer and his times.
A concise, fast-paced biography of the German poet, critic, and essayist.
As part of Yale’s Jewish Lives series, Prochnik, whose previous subjects include Stefan Zweig and Gershom Scholem, takes a sympathetic look at the life and work of Heinrich Heine (1797-1856). Born in Düsseldorf and having grown up under French rule, Heine developed a devotion to Napoleon that never waned. Under French occupation, Jews were granted civil rights, and Heine’s ambitious mother hoped her son would rise in the French bureaucracy. In 1814, however, when anti-Semitism once again pervaded post-Napoleonic Germany, Heine’s mother revised her goals: Heinrich should become a financier or lawyer, professions in which the young man had no interest. At universities in Bonn, Göttingen, and Berlin, although enrolled in law classes, Heine pursued a literary career, publishing poetry and a series of letters in which he vented his critique of growing German nationalism and narrow-mindedness. Although the letters attracted public attention, they also provoked derision that, Prochnik notes, “exacerbated his sense of persecution.” He was drawn into membership in the short-lived Society for the Culture and Science of the Jews, whose mission was to raise the image of Jews through education. Later, hoping to promote his professional chances, he converted to Protestantism, a futile gesture, he discovered: “Jews saw him as a traitor, while Christians viewed him as corrupting their faith from within.” Prochnik recounts significant connections: to Hegel, “Heine’s first great man of ideas”; Goethe, who gave him an “icy reception” when they met; and Karl Marx, who became a close friend in Paris, where the gregarious Heine also counted among his friends George Sand, Alexandre Dumas, Frederic Chopin, and Gérard Nerval. Heine championed liberalism, justice, and art just as he disparaged nationalistic tribalism and the anti-Jewish sentiment that dogged him throughout his life.
A discerning portrait of the writer and his times.Pub Date: Nov. 24, 2020
ISBN: 978-0-300-23654-5
Page Count: 336
Publisher: Yale Univ.
Review Posted Online: Sept. 7, 2020
Kirkus Reviews Issue: Oct. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A dauntless, moving account of a kidnapping and the horrors that followed.
Enduring the unthinkable.
This memoir—the first by an Israeli taken captive by Hamas on October 7, 2023—chronicles the 491 days the author was held in Gaza. Confined to tunnels beneath war-ravaged streets, Sharabi was beaten, humiliated, and underfed. When he was finally released in February, he learned that Hamas had murdered his wife and two daughters. In the face of scarcely imaginable loss, Sharabi has crafted a potent record of his will to survive. The author’s ordeal began when Hamas fighters dragged him from his home, in a kibbutz near Gaza. Alongside others, he was held for months at a time in filthy subterranean spaces. He catalogs sensory assaults with novelistic specificity. Iron shackles grip his ankles. Broken toilets produce an “unbearable stink,” and “tiny white worms” swarm his toothbrush. He gets one meal a day, his “belly caving inward.” Desperate for more food, he stages a fainting episode, using a shaving razor to “slice a deep gash into my eyebrow.” Captors share their sweets while celebrating an Iranian missile attack on Israel. He and other hostages sneak fleeting pleasures, finding and downing an orange soda before a guard can seize it. Several times, Sharabi—51 when he was kidnapped—gives bracing pep talks to younger compatriots. The captives learn to control what they can, trading family stories and “lift[ing] water bottles like dumbbells.” Remarkably, there’s some levity. He and fellow hostages nickname one Hamas guard “the Triangle” because he’s shaped like a SpongeBob SquarePants character. The book’s closing scenes, in which Sharabi tries to console other hostages’ families while learning the worst about his own, are heartbreaking. His captors “are still human beings,” writes Sharabi, bravely modeling the forbearance that our leaders often lack.
A dauntless, moving account of a kidnapping and the horrors that followed.Pub Date: Oct. 7, 2025
ISBN: 9780063489790
Page Count: 208
Publisher: Harper Influence/HarperCollins
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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