A discerning portrait of the writer and his times.



A concise, fast-paced biography of the German poet, critic, and essayist.

As part of Yale’s Jewish Lives series, Prochnik, whose previous subjects include Stefan Zweig and Gershom Scholem, takes a sympathetic look at the life and work of Heinrich Heine (1797-1856). Born in Düsseldorf and having grown up under French rule, Heine developed a devotion to Napoleon that never waned. Under French occupation, Jews were granted civil rights, and Heine’s ambitious mother hoped her son would rise in the French bureaucracy. In 1814, however, when anti-Semitism once again pervaded post-Napoleonic Germany, Heine’s mother revised her goals: Heinrich should become a financier or lawyer, professions in which the young man had no interest. At universities in Bonn, Göttingen, and Berlin, although enrolled in law classes, Heine pursued a literary career, publishing poetry and a series of letters in which he vented his critique of growing German nationalism and narrow-mindedness. Although the letters attracted public attention, they also provoked derision that, Prochnik notes, “exacerbated his sense of persecution.” He was drawn into membership in the short-lived Society for the Culture and Science of the Jews, whose mission was to raise the image of Jews through education. Later, hoping to promote his professional chances, he converted to Protestantism, a futile gesture, he discovered: “Jews saw him as a traitor, while Christians viewed him as corrupting their faith from within.” Prochnik recounts significant connections: to Hegel, “Heine’s first great man of ideas”; Goethe, who gave him an “icy reception” when they met; and Karl Marx, who became a close friend in Paris, where the gregarious Heine also counted among his friends George Sand, Alexandre Dumas, Frederic Chopin, and Gérard Nerval. Heine championed liberalism, justice, and art just as he disparaged nationalistic tribalism and the anti-Jewish sentiment that dogged him throughout his life.

A discerning portrait of the writer and his times.

Pub Date: Nov. 24, 2020

ISBN: 978-0-300-23654-5

Page Count: 336

Publisher: Yale Univ.

Review Posted Online: Sept. 8, 2020

Kirkus Reviews Issue: Oct. 1, 2020

Did you like this book?

No Comments Yet

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

Did you like this book?

A conversational, pleasurable look into McConaughey’s life and thought.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller


All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

Did you like this book?