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THE BEST SEVEN YEARS OF MY LIFE

THE STORY OF AN UNLIKELY CAREGIVER

A wistful love story and penetrating glimpse into the duties of a caregiver.

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A courageous, sad debut memoir on being a caregiver to a terminally ill family member.

After 41 years of marriage, George and Carol Shannon’s time together became increasingly marked by silence. Their three sons had left home, and the couple had taken to living ostensibly separate lives, with George spending time at the driving range working on his golf swing and Carol consumed by her books. This “extended stale phase,” as George calls it, ended abruptly during a trip to Cabo with family. Carol had been subject to “mini-strokes” in the past, but on this occasion, the stroke severely affected the movement of much of her body and speech. Faced with an uncertain future, George, a cancer survivor, provided the majority of Carol’s care following her discharge from the hospital. The memoir is written from the first-person perspective of George and is co-authored by George’s middle son, Chad Shannon, who would often stand in for his father as caregiver. The authors reveal the continual tension and sometimes-frantic rush associated with caring for a sick loved one: “I knew [Chad] could be at the hospital within minutes….I flew for the giant entrance to the unit…this unit was the hospital’s crisis center. The people they brought here faced death.” The mix of terror and hope is palpable on such occasions. They also find humor and positivity in difficulty, describing how the stroke revealed elements of the “true Carol,” transforming her from a “once-unassuming woman” to “a minor celebrity” at her rehab facility who dropped a “dozen F-bombs as she performed a therapy drill.” George shares his emotions candidly throughout. At the time of Carol’s stroke, he says: “I told myself that if Carol survived this, then I would devote my life to making hers better.” Given that the memoir is co-written, Chad’s perspective, which would have added extra narrative dimension, feels strangely lacking. Still, illustrated with family photographs throughout, this remains a tenderly written memoir that pays testament to the selflessness that springs from unconditional love.

A wistful love story and penetrating glimpse into the duties of a caregiver.

Pub Date: Dec. 2, 2018

ISBN: 978-1-7326455-4-7

Page Count: 152

Publisher: Time Tunnel Media

Review Posted Online: Dec. 5, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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