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A UNIVERSAL HISTORY OF NUMBERS

FROM PREHISTORY TO THE INVENTION OF THE COMPUTER

A must for any library—and a wonderful gift for anthropologists, ethnographers, cultural historians, and quiz kids.

Ifrah’s monumental follow-up to From One to Zero (1993) goes from one to (almost) infinity as he meticulously reviews the numbers and reckoning systems of countless tribes and cultures in a dazzling scholarly performance.

“Performance” is the operative word here, for not only does Ifrah enumerate the words and symbols used for arithmetic, but he also explains how to use each system, providing illustrations, diagrams, riddles, and puzzles. Indeed, nearly every page displays handsome numerals, counting devices, and illustrations of their use. Ifrah takes the human body as the aboriginal point of reference for most counting systems—fingers and toes producing systems using 5, 10, or 20 as a base. But 12, 60, and 360 have also been used, usually by cultures that attached more importance to the sky than to their anatomy. Ifrah gives special credit to the Mayans for their extraordinary adeptness at astronomical measurements, which calculated the length of the solar year as 365.242 days and the month at 29.53086 days. He commends India for the invention of zero—the placeholder in counting systems that use positional notation to indicate the different values, for instance, of 1, 10, and 100. A recurring theme is the intimate relation between number systems and written language. Just as the invention of alphabets allows the generation of myriad words, advanced number systems can use a limited number of symbols to represent any large number. A quibble or two: Ifrah frequently asserts that our brains cannot instantly number a collection of more than four objects, though psychologists maintain we can recognize up to seven objects without counting. And since many statements on the origins of systems and borrowings across cultures are speculative, they are subject to change in light of recent discoveries.

A must for any library—and a wonderful gift for anthropologists, ethnographers, cultural historians, and quiz kids.

Pub Date: Jan. 14, 2000

ISBN: 0-471-37568-3

Page Count: 656

Publisher: Wiley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1999

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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