If you like basking in over-the-top banter and don’t roll your eyes at perfectly neat endings, you’ll have a fun afternoon...
Think you’d do anything for the chance to be supermodel pretty? Well, it gets messy.
In Clark’s (Parched, 2014, etc.) first adult novel, self-esteem issues compel a group of friends to renounce rational decision-making for a chance to take their looks from average to unforgettable. Evie Selby, a copywriter at a women’s magazine, is having a hard time accepting the culture of online dating. Her roommate, Krista Kumar, dropped out of law school to start an acting career, but it’s going nowhere. And their good friend Willow, a troubled photographer and daughter of a famous director, doesn’t understand what her puppy-dog boyfriend, Mark, sees in her. They’re all in bad places. If only they were prettier, right? They’d have more confidence, get more opportunities. When a shot at this lands magically in their laps, all three can’t help but grasp at the possibilities that come with trying a drop of the Pretty. Warning: now’s the time to suspend your disbelief. One drop of the Pretty potion gets them a week of long-legged, doe-eyed bliss. So, they make (terrible) excuses for the whereabouts of their real selves and walk through the doors that suddenly begin to open for them. Doors that lead to movie roles and dates with the superflirtatious novelist Velma Wolff. You'll find yourself getting sucked in as things descend into chaos, but there really isn’t a solid foundation to this story. An opportunity to build up a back story for the Pretty comes and goes in one underwhelming chapter. And while these characters promote liberating views on female sexuality, issues are either dulled by self-congratulating rants or resolved in fairy tale–esque fashion. One redeeming quality is that becoming Pretty does not involve a Cinderella-like transformation—it takes the adage “beauty is pain” to a new level.
If you like basking in over-the-top banter and don’t roll your eyes at perfectly neat endings, you’ll have a fun afternoon on the beach with this one.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1959-0
Page Count: 400
Publisher: Emily Bestler/Atria
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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