by Georgie Anne Geyer ‧ RELEASE DATE: Oct. 1, 1994
A veteran foreign correspondent undertakes here what she calls a ``consummately unfashionable'' journey through what used to be called Soviet Central Asia. Actually, the journey is both consummately fashionable and somewhat glibly undertaken. But Geyer (Guerrilla Prince, 1991, etc.) does convey the sense of penetrating an alien, volatile, and sometimes threatening society. In Moscow, we see an eerie ``holy fool'' gibbering at a corner of Red Square—and a suave businessman genuflecting before him. And so it is with some trepidation that our valiant correspondent dons her money belt and heads for remote Tatarstan. The Tatars she sees as the key to Russian identity, their oppression of Muscovy in the Middle Ages having turned Russia against outsiders. Today, in the peeling, hallucinatory city of Kazan she finds a resurgent nationalism that is almost touching in its naãvetÇ as a people submerged by Russian power since Ivan the Terrible's conquest in 1552 is budding once more—and thumbing a nose at its former master. Kazakhstan, Uzbekistan, Kyrgyzstan: It's an enjoyable trek, all in all, but a pervading superciliousness dims Geyer's larger ambitions. For example, in Uzbekistan, she visits the Shah-i-Zinda complex of mausoleums, where Qasim ibn Abbas (who brought Islam to Central Asia) is buried. The episode is thrown in touristically, simply because it happened and because one of the self-described ``stock-brokers'' who had come with her from Samarkand suddenly goes into a kind of trance. It is a strange and curious moment, but Geyer cannot rise to it. She simply says ``I actually began to tremble'' and casually mentions the ``awe'' of the event. This is a good book, but it also reminds the reader that a certain kind of self-importance blunts an otherwise receptive mind, and that travelogues and journalism require different sensibilities that are hard to sew together. (Author tour)
Pub Date: Oct. 1, 1994
ISBN: 0-02-881110-0
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1994
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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