Part reference, part anthology, part social history—a modestly successful experiment in genre splicing. (25 b&w photos)
Veteran media critic Nachman (Raised on Radio, 1998, etc.) profiles a score of the most innovative comedians from the post-WWII era.
The author’s research is meticulous and impressive. Nachman listened to stacks of old LPs, watched countless hours of low-fidelity videos, read dusty celebrity biographies and memoirs, paged through old magazines, and presumably cranked miles of newspaper microfilm. He has also chased down many of his still-living subjects to see what they’re up to. Some were cooperative (Bob Newhart), some surly (Shelley Berman), some bitter (Vaughn Meader), some “unavailable” (David Frye, whose voice-mail message features his Al Gore impression). In a longish introduction, Nachman argues persuasively that the 1950s, far from being the Decade of Cultural Darkness, instead “helped light the way for many of the cultural eruptions that followed.” He begins with Mort Sahl, who declined requests for an interview, and ends with Joan Rivers, whose career, the author says, was fueled by “a fear-driven ferocity.” In between are portraits of comedians as disparate in style and substance as Bill Cosby and Lenny Bruce, Nichols/May and Ernie Kovacs, Phyllis Diller and Godfrey Cambridge (who receives short shrift here). It’s notoriously difficult to write seriously about funny people, but Nachman can fashion an arresting phrase: Diller, he says, looks like Big Bird’s mother, and most of the Lenny Bruce wannabes “are still diddling in the bathroom and refuse to come out.” The organizational pattern of his essays, however, is numbingly monotonous: snapshot of career (with many quotations from critics and from the subject’s routines), childhood and youth, update, final assessment. He reports some goodies, though: Cosby once sucker-punched Tom Smothers, and comedians love to accuse one another of stealing lines and shticks.
Part reference, part anthology, part social history—a modestly successful experiment in genre splicing. (25 b&w photos)Pub Date: April 1, 2003
ISBN: 0-375-41030-9
Page Count: 672
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2003
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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