Part reference, part anthology, part social history—a modestly successful experiment in genre splicing. (25 b&w photos)
Veteran media critic Nachman (Raised on Radio, 1998, etc.) profiles a score of the most innovative comedians from the post-WWII era.
The author’s research is meticulous and impressive. Nachman listened to stacks of old LPs, watched countless hours of low-fidelity videos, read dusty celebrity biographies and memoirs, paged through old magazines, and presumably cranked miles of newspaper microfilm. He has also chased down many of his still-living subjects to see what they’re up to. Some were cooperative (Bob Newhart), some surly (Shelley Berman), some bitter (Vaughn Meader), some “unavailable” (David Frye, whose voice-mail message features his Al Gore impression). In a longish introduction, Nachman argues persuasively that the 1950s, far from being the Decade of Cultural Darkness, instead “helped light the way for many of the cultural eruptions that followed.” He begins with Mort Sahl, who declined requests for an interview, and ends with Joan Rivers, whose career, the author says, was fueled by “a fear-driven ferocity.” In between are portraits of comedians as disparate in style and substance as Bill Cosby and Lenny Bruce, Nichols/May and Ernie Kovacs, Phyllis Diller and Godfrey Cambridge (who receives short shrift here). It’s notoriously difficult to write seriously about funny people, but Nachman can fashion an arresting phrase: Diller, he says, looks like Big Bird’s mother, and most of the Lenny Bruce wannabes “are still diddling in the bathroom and refuse to come out.” The organizational pattern of his essays, however, is numbingly monotonous: snapshot of career (with many quotations from critics and from the subject’s routines), childhood and youth, update, final assessment. He reports some goodies, though: Cosby once sucker-punched Tom Smothers, and comedians love to accuse one another of stealing lines and shticks.
Part reference, part anthology, part social history—a modestly successful experiment in genre splicing. (25 b&w photos)Pub Date: April 1, 2003
ISBN: 0-375-41030-9
Page Count: 672
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2003
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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