A magical and poetic novel celebrating the beauty of Indigenous culture.
Vizenor’s novel celebrates Indigenous culture and the cultivation of a sense of belonging.
On the White Earth Reservation, Truman La Chance is a young orphan who creates poetic dream songs to understand the world around him. Adrift from others, he finally finds a sense of belonging at the Theatre of Chance in his local community. The theater, a “curious sanctuary for runaways,” is the brainchild of Dummy Trout, a puppeteer who has not spoken in over 50 years, since the Great Hinckley Fire of 1894, in which, at the age of 18, Dummy lost her family and loved ones and was consumed by grief. Decades later, following the Second World War, Dummy and her pet dogs preside over the theater, where she makes puppets and encourages the runaways and strays on the reservation to present stories to each other and the community. Over 12 chapters, the author uses the connections that a diverse range of Indigenous characters have to the theater to illustrate the building of a community amid the difficult circumstances on the reservation. Vizenor presents, in the context of puppetry performances, imagined conversations between historical figures such as Sitting Bull and President John F. Kennedy, Aristotle and James Baldwin, and Sacagawea and Tallulah Bankhead, which are the novel’s most intriguing feature. He also links Western cultural works, such as the opera Madama Butterfly, to the feelings and experiences of his Indigenous characters. The short novel is curious and winding and is at times hard to follow. But the author’s background as a poet is obvious in the lyrical prose (“He described the slight hesitations of his speech as the unexpected silence between a flash of lightning and crash of thunder”), making much of the language so beautiful that the meandering threads of the storyline do not detract from the reader’s enjoyment.
A magical and poetic novel celebrating the beauty of Indigenous culture.Pub Date: March 7, 2023
ISBN: 9780819500427
Page Count: 120
Publisher: Wesleyan Univ. Press
Review Posted Online: March 22, 2023
Kirkus Reviews Issue: May 15, 2023
Review Program: Kirkus Indie
A careening, oddly timely tour of recent history, and trademark Pynchon.
Pynchon returns, this time with a wacky whodunit that spans two continents.
What’s a sub without cheese? That’s not to be taken literally, like so much of Pynchon. The sub in question is a German one plying, in an unlikely scenario, the depths of Lake Michigan. There, in Milwaukee, we find Hicks McTaggart, gumshoe, who “has been ankling around the Third Ward all day keeping an eye on a couple of tourists in Borsalinos and black camel hair overcoats from the home office at 22nd and Wabash down the Lake”—the Chicago mob, in other words, drawn to Milwaukee in the void created by the absence of one Bruno Airmont, “the Al Capone of Cheese in Exile,” having legged it with a trunkload of cash some years earlier. Where could Bruno be? And why are those Germans, in those prewar days of Depression and protonationalism, skulking about under the waves? McTaggart will soon find out, sort of, having already been exposed to plenty of chatter—for, “this being Wisconsin, where you find more varieties of social thought than Heinz has pickles, over the years German American politics has only kept growing into a game more and more complicated.” Complicated it is. Trying to keep tabs on the twists and turns of Pynchon’s plot is a fool’s errand, but suffice it to say that it involves bowling, Les Paul, organized crime, Count Basie, a Russian bike gang, Nazis, and, yes, cheese, as well as some lovely psychedelic moments, including one where “fascist daredevil aviators are playing poker with Yangtze Patrol veterans who believe all that airplanes are good for is to be shot down.” Pynchon did the private dick thing to better effect in Inherent Vice (2009), a superior yarn in nearly every respect, so this one earns only an average grade—but then, middling Pynchon is better than a whole lot of writers’ best.
A careening, oddly timely tour of recent history, and trademark Pynchon.Pub Date: Oct. 7, 2025
ISBN: 9781594206108
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Sept. 29, 2025
Kirkus Reviews Issue: Nov. 1, 2025
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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