Not a high-octane outing, but it could fill in some background for curious would-be motorists just out of their car seats.
Pull tabs and other special effects rev up this look at the lives of cars, from factory to junkyard.
The book opens with a sparse “museum” of early autos and closes with a visit to a Formula 1 racetrack. In between, single-topic spreads take generic automobiles from design lab to dealer, supply glimpses of a dashboard and beneath the hood, then go on to show what happens at a repair shop, a service station, and a car wash. Moving elements, one or two per page, are fairly sturdy and relatively varied—ranging from large flaps to geared wheels, tabs, and slots that work a hydraulic lift or allow a wreck to be hauled aboard a tow truck. In Hardenberg’s translation from the French, Krasinski’s simply phrased labels and commentary incorporate some distinctive vocabulary: “prototype,” “exhaust pipe,” “pre-owned.” Though hybrid, electric, and driverless cars receive nods, the focus throughout is mainly on traditional gas guzzlers. Latyk darkens the skin of some of the stylized human figures in his simple illustrations, but like the cars on display, most are small on the page and generic of feature.
Not a high-octane outing, but it could fill in some background for curious would-be motorists just out of their car seats. (Informational novelty. 4-6)Pub Date: Feb. 5, 2019
ISBN: 978-2-40800-790-4
Page Count: 22
Publisher: Twirl/Chronicle
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
BOOK REVIEW
BOOK REVIEW
A good-enough gateway to more detailed texts but not on par with earlier works. (Graphic informational early reader. 4-6)
Ants are always moving, as this comic’s insect inhabitants collectively proclaim, and McCloskey’s fast-paced narrative stays true to this assertion.
Two children on a playground shrink to investigate an anthill, cursorily revealing myriad ant facts. Ant anatomy, the life cycle of an ant and a colony, the structure and hierarchy of the colony, and an exploration of the four ant senses (touch, smell, hearing, and taste) are covered in one- to two-page spreads, revealing some interesting tidbits of information (e.g., ants hear with their legs). The second half of the anthill tour provides some detail on various types of ant species, such as leaf-cutter ants, trap-jaw ants, and exploding ants. An amusing (and incomplete) list titled “What Ants Eat” is followed by a superfluous reintroduction of the children, again child-sized, which closes the volume. The book’s best feature is its illustrations. Painted on recycled grocery bags, the ants are detailed and expressive, making the children (one white-presenting and one black-) seem static in comparison, an impression exacerbated by the clumsy dialogue passing between the two. The facts fare better, although some spreads feel a bit crowded and organization is loose. The brevity of the information revealed may inspire independent research in older readers, which has the potential to yield some fascinating results. Somewhat disappointingly, the title has no bearing whatsoever on the text.
A good-enough gateway to more detailed texts but not on par with earlier works. (Graphic informational early reader. 4-6)Pub Date: Sept. 10, 2019
ISBN: 978-1-943145-45-4
Page Count: 40
Publisher: TOON Books & Graphics
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
An interesting thought experiment, but it doesn’t quite take off.
What’s in a name? The characteristics of a bird cannot be conveyed by the names we give them—or by words in general.
According to Yolen, birds are given both scientific and popular names, such as robin, hawk, peacock, or swan, but neither name captures anything about what the bird is really like. The individuality of a bird, such as its color, or more tactile qualities, such as “The dinosaur feet, / crooked and brown, / or the talons with / nails as hard as / an old man’s,” are not conveyed by the name we give it. A bird’s name can’t convey its movement in space or the drama of a peacock’s outspread tail or the nature of its flight or even if it flies at all. (Picture the emu or the ostrich.) A concluding quote from noted physicist Richard Feynman sums it up: “You can know the name of a bird in all the languages of the world, but when you’re finished, you’ll know absolutely nothing about the bird.” The idea is interesting, and van der Linde’s illustrations are clean, clear, and attractive, but in exploring negation the text offers little for curious, concrete-thinking young readers. It’s thematically consistent but also maddening that the book doesn’t consistently identify the birds pictured. The closing note discusses recording bird song but then shrugs away the value of those recordings. (This book was reviewed digitally with 10.8-by-18-inch double-page spreads viewed at 54.3% of actual size.)
An interesting thought experiment, but it doesn’t quite take off. (Picture book. 4-6)Pub Date: Aug. 18, 2020
ISBN: 978-1-56846-349-0
Page Count: 32
Publisher: Creative Editions/Creative Company
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
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