A practical, nonboring companion for writers aiming to hone their style.
A self-described "language enthusiast" analyzes memorable sentences.
Woods, author of English Grammar for Dummies, among dozens of other books on writing and literature, offers an upbeat, informative guide for writers and readers, focused on the power of sentences. Each of the 25 chapters highlights one exemplary sentence, supplemented by many others that illustrate the same technique, drawn from a capacious range of sources, including Virginia Woolf, Stephen King, Dylan Thomas, Bob Dylan, the King James Bible, and even ads for potato chips, candy, and soda. Woods avoids literary jargon and carefully explains terms that might be unfamiliar to nonspecialist readers. Looking at structure, for example, she identifies several interesting constructions—parallelism, reversed sentences, questions, for example—and “crossed sentences,” which she calls “the neon signs of the sentence world. They attract attention.” Her primary example is John F. Kennedy’s “Ask not what your country can do for you, ask what you can do for your country,” and she also cites Groucho Marx: “Money will not make you happy, and happy will not make you money.” Some sentences, notes the author, succeed through surprise, such as Lucille Ball’s “The secret to staying young is to live honestly, eat slowly, and lie about your age.” A section on diction examines verbs, tone, word shifts (Gertrude Stein’s “There is no there there” is one example), and inventive coinage. Poetry appears most frequently in chapters on sound (onomatopoeia, repetition, and matching sounds) and visual presentation. A section on connection/comparison analyzes use of the first person and second person, synesthesia, and contrast—e.g., Neil Armstrong’s famous “That’s one small step for a man, one giant leap for mankind.” A final section on “Extremes” focuses on unusually long “marathon sentences” and sentences that are marvels of concision, such as E.M. Forster’s “Only connect.” Each chapter ends with inventive writing exercises.
A practical, nonboring companion for writers aiming to hone their style.Pub Date: Aug. 18, 2020
ISBN: 978-1-324-00485-1
Page Count: 256
Publisher: Norton
Review Posted Online: April 20, 2020
Kirkus Reviews Issue: May 15, 2020
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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