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BOND OF UNION

BUILDING THE ERIE CANAL AND THE AMERICAN EMPIRE

Authoritative and important.

A comprehensive history of the building of the Erie Canal.

Author of Water for Gotham: A History (2000) and a contributor to Water-Works: The Architecture and Engineering of the New York City Water Supply (2006), former CBS News editor Koeppel continues to explore the subject of the Big Apple’s crucial connections to its waterways. The commitment to extensive research he brought to previous works is evident here as he ably tells the story of the many strong-willed visionaries who helped bring the Erie Canal into being. Chief among them was frontier merchant Jesse Hawley, who in 1807 wrote a series of essays from debtor’s prison expounding on his dream of an overland waterway. Possessing little education and no engineering background, Hawley studied books and maps to craft a plan for a canal to connect Lake Erie with the Hudson River. His essays caught the attention of many prominent New Yorkers, including surveyor and city planner Joseph Ellicott, influential businessman Elkanah Watson and Gov. De Witt Clinton, who began to argue forcefully, in the face of widespread skepticism, for the building of the canal. Koeppel details the political twists and turns that surrounded the conceptualizing, funding, engineering and building of the Erie Canal. Finally completed in 1825, it was the first major link between the seaboard states and the landlocked interior. It proved an unmitigated boon for merchants, and the author convincingly argues that the canal hastened the birth of America as a continental nation. At times, the level of detail can be daunting—the author spends several pages expounding on a controversy about a patent for waterproof cement, for example—but there is little doubt Koeppel’s history is the most complete and well-researched to date.

Authoritative and important.

Pub Date: March 15, 2009

ISBN: 978-0-306-81827-1

Page Count: 464

Publisher: Da Capo

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2009

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WHO STOLE THE AMERICAN DREAM?

Not flawless, but one of the best recent analyses of the contemporary woes of American economics and politics.

Remarkably comprehensive and coherent analysis of and prescriptions for America’s contemporary economic malaise by Pulitzer Prize–winning journalist Smith (Rethinking America, 1995, etc.).

“Over the past three decades,” writes the author, “we have become Two Americas.” We have arrived at a new Gilded Age, where “gross inequality of income and wealth” have become endemic. Such inequality is not simply the result of “impersonal and irresistible market forces,” but of quite deliberate corporate strategies and the public policies that enabled them. Smith sets out on a mission to trace the history of these strategies and policies, which transformed America from a roughly fair society to its current status as a plutocracy. He leaves few stones unturned. CEO culture has moved since the 1970s from a concern for the general well-being of society, including employees, to the single-minded pursuit of personal enrichment and short-term increases in stock prices. During much of the ’70s, CEO pay was roughly 40 times a worker’s pay; today that number is 367. Whether it be through outsourcing and factory closings, corporate reneging on once-promised contributions to employee health and retirement funds, the deregulation of Wall Street and the financial markets, a tax code which favors overwhelmingly the interests of corporate heads and the superrich—all of which Smith examines in fascinating detail—the American middle class has been left floundering. For its part, government has simply become an enabler and partner of the rich, as the rich have turned wealth into political influence and rigid conservative opposition has created the politics of gridlock. What, then, is to be done? Here, Smith’s brilliant analyses turn tepid, as he advocates for “a peaceful political revolution at the grassroots” to realign the priorities of government and the economy but offers only the vaguest of clues as to how this might occur.

Not flawless, but one of the best recent analyses of the contemporary woes of American economics and politics.

Pub Date: Sept. 11, 2012

ISBN: 978-1-4000-6966-8

Page Count: 576

Publisher: Random House

Review Posted Online: July 16, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THE WAY I HEARD IT

Never especially challenging or provocative but pleasant enough light reading.

Former Dirty Jobs star Rowe serves up a few dozen brief human-interest stories.

Building on his popular podcast, the author “tells some true stories you probably don’t know, about some famous people you probably do.” Some of those stories, he allows, have been subject to correction, just as on his TV show he was “corrected on windmills and oil derricks, coal mines and construction sites, frack tanks, pig farms, slime lines, and lumber mills.” Still, it’s clear that he takes pains to get things right even if he’s not above a few too-obvious groaners, writing about erections (of skyscrapers, that is, and, less elegantly, of pigs) here and Joan Rivers (“the Bonnie Parker of comedy”) there, working the likes of Bob Dylan, William Randolph Hearst, and John Wayne into the discourse. The most charming pieces play on Rowe’s own foibles. In one, he writes of having taken a soft job as a “caretaker”—in quotes—of a country estate with few clear lines of responsibility save, as he reveals, humoring the resident ghost. As the author notes on his website, being a TV host gave him great skills in “talking for long periods without saying anything of substance,” and some of his stories are more filler than compelling narrative. In others, though, he digs deeper, as when he writes of Jason Everman, a rock guitarist who walked away from two spectacularly successful bands (Nirvana and Soundgarden) in order to serve as a special forces operative: “If you thought that Pete Best blew his chance with the Beatles, consider this: the first band Jason bungled sold 30 million records in a single year.” Speaking of rock stars, Rowe does a good job with the oft-repeated matter of Charlie Manson’s brief career as a songwriter: “No one can say if having his song stolen by the Beach Boys pushed Charlie over the edge,” writes the author, but it can’t have helped.

Never especially challenging or provocative but pleasant enough light reading.

Pub Date: Oct. 15, 2019

ISBN: 978-1-982130-85-5

Page Count: 224

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Aug. 17, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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