Sharply told account of how US paratroopers took back ``The Rock'' from Japan in a pivotal WW II battle; by Devlin (Paratrooper!, 1979). Where Pearl Harbor was a sudden devastation from the air, the battle for the Philippines was messy from the start, beginning with MacArthur's decision (despite radar warning) to leave his aircraft on the ground to be destroyed. In due course, the Japanese forced American troops to retreat to Corregidor, where they were to be rescued but were not. Devlin weaves the details of the US attack to retake the island into a tale that conveys the realities of airborne warfare, right down to those whose chutes failed and the startling death by suicide of the airborne commander shortly before the battle. He also makes a convincing case that the use of paratroops was extremely wise, the Japanese having prepared thoroughly for a conventional attack. But while this is an excellent account of a very interesting military engagement, Devlin's uncritical and enthusiastic assessment of MacArthur reflects a weakness in his approach. Unlike George Feifer (Tennozan, p. 368) or Thurston Clarke (Pearl Harbor Ghosts, 1991), Devlin fails to create a sophisticated historical/cultural context for his tales of battle, nor does he go deeply into the lives of participants. His is patriotic writing in which individuals and concepts are not much explored. The crushed ribs, concussions, and splintered bones of difficult landings are there, along with ugly details of the hand-to-hand fighting common in the Pacific Theater, but while names are given, there is little sense of who is receiving that pain, or why. Conventional military history of a high order, but without the leavening of thoughtfulness that could raise it to a still higher level. (Photos—32 pages—not seen.)
Pub Date: June 1, 1992
ISBN: 0-312-07648-7
Page Count: 320
Publisher: St. Martin's
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 15, 1992
Categories: GENERAL HISTORY
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For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: Feb. 15, 2020
Categories: GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY | BIOGRAPHY & MEMOIR | HISTORICAL & MILITARY | UNITED STATES | HISTORY
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