An engaging, fablelike warning about climate change with a gentler approach than most eco–SF.
A family’s new home comes with an uncanny book apparently from the future, a memoir of sorts that tells of a coming environmental cataclysm and the peaceful world built by the few survivors.
Kellner, an artist, illustrates as well as annotates her debut SF novel, yet another cautionary tale in the cli-fi category. The Denzells purchase a vanished person’s furnished home on the condition that they retain its contents—resident cat, Plato; many books; and “unusual collections and strange artifacts left behind by the old man.” One book begins to reappear around the house with strange, insistent regularity, a bound volume supposedly from the future called The History of the World, bearing a publication date of 2200. Various family members in turn are caught up in reading the oddity, which claims to be the transcribed memories of surviving individuals starting in “The Time Before”—that is, before mid-21st-century global warming wiped out millions of species, eliminated crops, and turned Earth into myriad storm-wracked, overheated wastelands. In the Pacific, one little girl watches as everyone around her succumbs to blight and starvation. Her sole-survivor tale intertwines with the odyssey of Gabriel Thomason and Mia Lu, a presumably North American young couple who, as modern civilization collapses, take their chances at sea in a sailboat. Poetic imagery and song rather than disaster-movie violent mayhem move the engrossing narrative along with a sometimes-idyllic tone poignantly in contrast to the background of apocalyptic events. Hanging over the whole thing is the question mark (the customary shape in which Plato holds his tail) of whether the future really has to be this way. The intriguing story is not as shrill and angry as like-minded narratives in this alarm-bell genre (though it still makes its points) and is pitched to readers of a YA and older demographic. Kellner follows the loosely plotted book with considerable aftermatter documents bearing out her philosophies—everything from a wishful “Imagined Universal Bill of Rights and Responsibilities” to the United States Constitution (in total, even the part about guns), the United Nations’ Universal Declaration of Human Rights, and a little-remembered “Treaty for the Renunciation of War” from 1928 (“Oops,” readers will be tempted to say).
An engaging, fablelike warning about climate change with a gentler approach than most eco–SF. ("Imagined Universal Bill of Rights and Responsibilities", discussion questions, Appendix of Documents (United States Constitution, US Constitution Bill of Rights, Amendments to the US Constitution, Treaty for the Renunciation of War, United Nations Universal Declaration of Human Rights, Parliament of World's Religions "Commitment to the Sustainability and Care of the Earth"), Acknowledgments, interview with the author, other books from the same imprint, About the publisher) (science fiction)Pub Date: April 19, 2022
ISBN: 978-1-68463-123-0
Page Count: 336
Publisher: SparkPress
Review Posted Online: Jan. 28, 2022
Review Program: Kirkus Indie
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
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