by Gianna Marino ; illustrated by Gianna Marino ‧ RELEASE DATE: July 14, 2015
A giggle-inducing new gem for the night-fears bookshelf.
Animals turn topsy-turvy in fear of things that go bump in the night.
Nighttime can be scary, but Marino’s black cover uses a supershiny silver title and a opossum with comically exaggerated trepidation on his face to assure that this story isn’t spooky—at least, not for readers. It sure spooks the splendid animal characters, who pose fabulously on the inside of the jacket next to nonfiction zoological details. In a dark forest, Possum hunkers inside a hollow tree. A skunk joins him. They scrunch down together, bodies merging with hole’s blackness so only their googly eyes and the skunk’s white nose-stripe show. A gray wolf and grizzly bear appear, frightening the others but terrified themselves. The animals hug trees, clutch and cling to one another, and tumble about in fright. The skunk holds Possum upside down by his tail over the wolf’s back; Possum repeatedly plays dead, even assuring himself in a thought bubble, “I’m not here.” Every page is visually funny, with hilarious close-ups and slapstick animal postures. A bat asks what they’re scared of, and they answer, “night animals”; the bat’s reply, though obvious, is still uproarious: “But you ARE night animals.” Gouache-and-ink illustrations place the animals’ antics in a smooth, two-dimensional black forest background with sparse, beige-gray birch trees.
A giggle-inducing new gem for the night-fears bookshelf. (Picture book. 3-7)Pub Date: July 14, 2015
ISBN: 978-0-451-46954-0
Page Count: 40
Publisher: Viking
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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by Gianna Marino ; illustrated by Gianna Marino
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 21, 2012
Serve this superbly designed title to all who relish slightly scary stories.
Awards & Accolades
Our Verdict
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New York Times Bestseller
IndieBound Bestseller
Caldecott Honor Book
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Peter Brown
by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Peter Brown
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