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AMERICAN MYTHOLOGY

Family drama, deep friendships, and the power of belief bring reality to this otherworldly novel.

Most of Jute Ramsey’s life has revolved around two deeply intertwined missions.

First of all, he’s on the search for Bigfoot. Beneath the surface, though, he’s also trying to figure out whether his father’s disappearance, which was precipitated by a camping trip gone horribly wrong when Jute was a teenager, is somehow related to the fabled creature long a figment of American lore. Jute and his best friend, Vergil Barnes, live in the perfectly named town of Basic, Montana, and they’re the sole members of the Basic Bigfoot Society, which meets monthly at St. Pete’s Tavern. The group suddenly grows by more than 100% when a few interested parties join the fold: There’s Vicky Xu, a graduate student in documentary filmmaking, and her thesis subject, renowned Bigfoot expert Dr. Marcus Bernard. Bernard has a secret, and he’s using the Basic Bigfoot Society to rid himself of his status as a pariah in the academic community. The group is rounded out by Rye, Vergil’s daughter, who has returned to town because Vergil has news to share with her (he’s been diagnosed with terminal pancreatic cancer). The crew, armed with Bernard’s professional gear, heads to the Elkhorn Mountain Range, where Jute and Vergil hope to finally discover the great, mysterious beast. Cromley imbues the book with an intoxicating whimsy, propelling the story with unexplainable mysteries, a diary that spans generations, and quiet battles for each member of the group. A freak weather event cuts the expedition short, but in this easily digestible fable, each character departs from the experience having received not what they wanted, but precisely what they needed.

Family drama, deep friendships, and the power of belief bring reality to this otherworldly novel.

Pub Date: July 15, 2025

ISBN: 9780593688182

Page Count: 304

Publisher: Doubleday

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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