A well-structured, enjoyable tale about growing up and letting go.


Cromley’s debut coming-of-age novel follows a 15-year-old high schooler as he comes to terms with his parents’ split and the confusion of adolescence.

Kirby is your typical teen: mouthy, distrustful of authority and highly aware of his raging libido. But he’s also concerned about the stability of his small family unit. During his short life, he endured a seemingly endless parade of his mother’s suitors, until his stepfather, Bradley, became a more stable presence five years ago. Recently, however, Bradley hasn’t been around the house. He’s disappeared for short periods before—Kirby measures his sabbaticals by an “informal indicator” called “Bradley-Returns Index”—but he’s always come home. When Kirby returns from a torturous stint at computer camp, he finds his mother in a relationship with their neighbor Uncle Harley, or, as Kirby calls him, “the insurgent.” Kirby fears that this development could wipe out the BRI entirely, so he becomes determined to restore order. He enlists the help of his only friends—the meek, sometimes-frustrating Julian, and a troubled girl named Izzy, who’s the object of Kirby’s fantasies—to track down his missing stepfather. The trio “borrows” Julian’s dad’s classic 1969 Plymouth Roadrunner and sets off across Montana on a road trip, and hijinks and adventures ensue. Ultimately, Kirby must confront Bradley and the reasons why the BRI may be permanently at zero. The present-tense, first-person narration works well for recounting these youthful escapades; Kirby is simultaneously reflective and impulsive, making decisions in real time and almost immediately experiencing their consequences. The prose, especially the dialogue, is strong but may be a bit mature for young readers (“You look like a fetus,” is a compelling but perhaps age-specific insult; there are also frequent references to masturbation). Although set in the 1980s, the story and tone have a timeless feel, and Kirby’s struggles with self-exploration are very relatable. Overall, the novel’s strength lies in its evocation of how it feels to live in a sometimes-disappointing world.

A well-structured, enjoyable tale about growing up and letting go.

Pub Date: Oct. 31, 2013

ISBN: 978-0615872759

Page Count: 230

Publisher: Tortoise Books

Review Posted Online: Oct. 9, 2013

Kirkus Reviews Issue: Dec. 1, 2013

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A YA novel that treats its subject and its readers with respect while delivering an engaging story.



In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.

In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.

A YA novel that treats its subject and its readers with respect while delivering an engaging story.

Pub Date: Jan. 1, 2004

ISBN: 978-1591940173

Page Count: 152

Publisher: Townsend Press

Review Posted Online: Jan. 26, 2013

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A short, simple, and sweet tale about two friends and a horse.

Mary's Song

From the Dream Horse Adventure Series series , Vol. 1

A novel tells the story of two spirited girls who set out to save a lame foal in 1952.

Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.

A short, simple, and sweet tale about two friends and a horse.

Pub Date: N/A


Page Count: -

Publisher: Hastings Creations Group

Review Posted Online: Oct. 15, 2016

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