A journey by foot: crisp, lean, yet quietly mournful.
A father and son explore Marseilles without sleep.
This is a novel of a specific time and place that makes you sorry and even a little melancholy to leave that time and place behind. The time is 1983. The place is the grimy but lovely French port city of Marseille. Here we find a father and his 18-year-old son, Antonio, passing, by doctor’s orders, two sleepless nights as they wait to see if Antonio’s epilepsy has subsided. Like many fathers and sons, they have left much unsaid over the years: regrets, recriminations, affections, secrets. In language plain and graceful, presented in a svelte translation from the Italian by Curtis, Carofiglio quietly lays their souls bare in allowing them to see each other as human beings for the first time. They walk through sketchy neighborhoods, they indulge in wine and coffee, they see some jazz, they swim in the sea, and they visit a bohemian party. Their primary task is simple: Don’t fall asleep. Instead they walk and they talk—about love, about mathematics (Dad’s speciality), about food, about philosophy, about life. Slowly, without fanfare, they reveal themselves. Here’s Antonio, near the end of their odyssey: “Two nights without sleep weaken you, slow down your reflexes, blur your vision, but they give you a very subtle, precise sense of what really matters.” That subtle precision informs every page, as does a deceptive simplicity laden with all that happens when you’re not paying attention. The novel takes place in a sort of eternal present, a time when all senses are awake. The title comes from a quote by F. Scott Fitzgerald: “In a real dark night of the soul it is always three o’clock in the morning.” Here those dark nights arrive with shimmering, unforced beauty, filling the pages with jagged moonlight like the finest neorealist film.
A journey by foot: crisp, lean, yet quietly mournful.Pub Date: March 16, 2021
ISBN: 978-0-06-302844-9
Page Count: 192
Publisher: HarperVia
Review Posted Online: Dec. 25, 2020
Kirkus Reviews Issue: Jan. 15, 2021
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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