In this oddball solo debut, a migratory flock of doves gives a too-big, too-noisy jetliner hoping to be a fellow traveler a hostile reception. In Ford’s heavy-lined cartoon pictures the interloper’s smiling face changes to tearful dejection after disastrous encounters with a birdbath and a nestful of eggs prompt the doves to squawk “Go fly with your own kind!” Fortunately, the jet is willing to let bygones be bygones, and when a sudden cold snap grounds the feathered birds, the metal one returns to offer comfy window seats for the flight South. Having been shown “a new way to fly,” the doves “saw things differently than they had before.” As seen in comparison to the pigeons, the jet’s too small to let the size disparity reach its full absurd potential—for better examples, see Valeri Gorbachev’s Big Little Elephant (2005) or Mac Barnett’s Billy Twitters and His Blue Whale Problem, illustrated by Adam Rex (2009)—and its motivations remain murky, but readers shouldn’t have much trouble figuring out what those aforesaid “things” might be. (Picture book. 6-8)
Pub Date: March 16, 2010
ISBN: 978-1-4231-1997-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: Jan. 17, 2011
Kirkus Reviews Issue: Jan. 1, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
With wordplay reminiscent of Margie Palatini at her best, Helakoski takes four timorous chickens into, then out of, the literal and figurative woods. Fleeing the henhouse after catching sight of a wolf, the pusillanimous pullets come to a deep ditch: “ ‘What if we can’t jump that far?’ ‘What if we fall in the ditch?’ ‘What if we get sucked into the mud?’ The chickens tutted, putted, and flutted. They butted into themselves and each other, until one by one . . . ” they do fall in. But then they pick themselves up and struggle out. Ensuing encounters with cows and a lake furnish similar responses and outcomes; ultimately they tumble into the wolf’s very cave, where they “picked, pecked, and pocked. They ruffled, puffled, and shuffled. They shrieked, squeaked, and freaked, until . . . ” their nemesis scampers away in panic. Fluttering about in pop-eyed terror, the portly, partly clothed hens make comical figures in Cole’s sunny cartoons (as does the flummoxed wolf)—but the genuine triumph in their final strut—“ ‘I am a big, brave chicken,’ said one chicken. ‘Ohh . . . ’ said the others. ‘Me too.’ ‘Me three.’ ‘Me four’ ”—brings this tribute to chicken power to a rousing close. (Picture book. 6-8)
Pub Date: Feb. 1, 2006
ISBN: 0-525-47575-3
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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