by Giles MacDonogh ‧ RELEASE DATE: April 8, 1992
A close look into Hitler's Germany via the life of aristocratic anti-Nazi Adam von Trott zu Solz, by British historian MacDonogh. Handsome, highly intelligent, and principled, Trott (1909-44) was born to make his mark. As a Rhodes scholar at Oxford and part of the flourishing German/English culture of the time, he was both a social success and accepted by distinguished scholars like A.L. Rowse. MacDonogh looks at Trott's life via personal letters from and to his friends, comments by those friends, and descriptions of his behavior and basic concerns. The finely detailed narrative creates an impressive, tactile reality, making clear what it was like for Trott to be torn between love of country and knowledge of its corruption, unable to affect its course. Trott certainly tried to do just that, though, using his talents and connections to work from within the Third Reich—and in so doing lost many of those closest to him, Britons who could not forgive him for remaining at home. Trott rose to become an emissary of Hitler's Germany, dissembling at home, distrusted abroad, his proposals compromised into impossibility, his life poisoned, a tortured man, and at times an apologist. (Trott's stand on the Jews is ambivalent—he grew close to a half-Jewish British woman but seemed unable to grasp what was happening in Germany.) What to do when your country is bent on genocide and war? Whatever else he did, Trott remained very human, marrying the woman he loved and having children. In the end, all his cards played without effect, Trott joined the bomb plot against Hitler and died for his beliefs. A fine biography and an evocative portrait of Trott's times. (Twenty-eight b&w photographs—not seen.)
Pub Date: April 8, 1992
ISBN: 0-87951-449-3
Page Count: 358
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1992
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by Blandie Vie translated by Giles MacDonogh
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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More by E.T.A. Hoffmann
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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