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A GOOD GERMAN

ADAM VON TROTT ZU SOLZ

A close look into Hitler's Germany via the life of aristocratic anti-Nazi Adam von Trott zu Solz, by British historian MacDonogh. Handsome, highly intelligent, and principled, Trott (1909-44) was born to make his mark. As a Rhodes scholar at Oxford and part of the flourishing German/English culture of the time, he was both a social success and accepted by distinguished scholars like A.L. Rowse. MacDonogh looks at Trott's life via personal letters from and to his friends, comments by those friends, and descriptions of his behavior and basic concerns. The finely detailed narrative creates an impressive, tactile reality, making clear what it was like for Trott to be torn between love of country and knowledge of its corruption, unable to affect its course. Trott certainly tried to do just that, though, using his talents and connections to work from within the Third Reich—and in so doing lost many of those closest to him, Britons who could not forgive him for remaining at home. Trott rose to become an emissary of Hitler's Germany, dissembling at home, distrusted abroad, his proposals compromised into impossibility, his life poisoned, a tortured man, and at times an apologist. (Trott's stand on the Jews is ambivalent—he grew close to a half-Jewish British woman but seemed unable to grasp what was happening in Germany.) What to do when your country is bent on genocide and war? Whatever else he did, Trott remained very human, marrying the woman he loved and having children. In the end, all his cards played without effect, Trott joined the bomb plot against Hitler and died for his beliefs. A fine biography and an evocative portrait of Trott's times. (Twenty-eight b&w photographs—not seen.)

Pub Date: April 8, 1992

ISBN: 0-87951-449-3

Page Count: 358

Publisher: Overlook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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