A gripping narrative about a flawed, but ultimately pitiable, king.
A biography of Wilhelm II, who oversaw the collapse of the German empire.
MacDonogh’s (Frederick the Great, 2001, etc.) Wilhelm runs hot and cold. Sometimes full of bluster, his saber-rattling contributed to the outbreak of the Great War, but at other times the last Kaiser was given to compromise in international disputes. The central figure of Wilhelm’s childhood was his mother, Vicky, daughter of Queen Victoria of Britain. Vicky dominated his father, Frederick III, who died only a few months after assuming the throne. Once Wilhelm took over, he invigorated the government, bypassing the legendary Bismarck and establishing liberal policies in the conservative Prussian-centered empire. His choice of archaeology as a hobby signified his modern state of mind, which was put to good use in the development of German schools and infrastructure. From his mother, Wilhelm inherited a love-hate relationship with the English, whom he felt treated Germany like a second-class state, and much of his foreign policy (such as his rapid buildup of the navy) was designed to earn the respect of the British—who responded by identifying Germany as their enemy. The author shifts the focus of his account away from WWI once the fighting begins, however, and concentrates instead on how Wilhelm vacillated at crucial moments, losing the confidence of his advisers. Initially, the Kaiser worked hard to avoid catastrophe, especially in his diplomacy with Russia and his cousin Czar Nicholas, but eventually the entangling alliances of the period, as well as a bellicose German public, overwhelmed him. In the end, Wilhelm’s standing fell with Germany’s fortunes on the battlefield. By 1917, the army had taken over government, relegating Wilhelm to a purely ceremonial role. The last hundred pages of the biography detail Wilhelm’s eclipse and exile in Holland—painful reading compared to the earlier parts of the story (which show him as a sometimes heroic, if reckless, character). His ambivalence towards the Nazis—he supported their nationalism but was disturbed by Hitler’s tactics—was all the more tragic because it was irrelevant.
A gripping narrative about a flawed, but ultimately pitiable, king.Pub Date: Aug. 1, 2001
ISBN: 0-312-27673-7
Page Count: 416
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2001
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
IN THE NEWS
PERSPECTIVES
SEEN & HEARD
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
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