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THE GOOD SISTER

For those who can withstand the difficult subject of infanticide, a suspenseful courtroom drama full of poignant flashbacks...

Two sisters re-examine their relationship as one of them stands trial for murdering the other’s infant.

Martha Blackwater’s 8-week-old baby, Layla, suffocated while she was under her aunt Becky’s care. The book opens several months after the baby’s death, as Martha attends Becky’s trial, desperately hoping to be convinced of her sister’s innocence. Becky had been working as a nanny for Layla, a plan the sisters hatched when Becky complained about her dead-end job as a set designer. Feeling as though she’s never measured up to her perfect older sister, Becky is determined to excel at being a nanny. Doctors hypothesize that Layla suffers from gastric distress, but they are unable to alleviate her symptoms, and the baby cries incessantly. When Martha leaves town on a business trip at the same time that her husband, Scott, is traveling, Becky is left to care for Layla, and to suffer her endless crying, for two nights. The prosecution now insists that the child’s interminable crying pushed Becky over the edge, leading her to smother Layla into silence. As Martha listens to the prosecution, she cannot believe that Becky would ever harm her child. However, with each witness’s surprising testimony, Martha begins to wonder whether she’s ever known her sister at all. As Martha and Becky take turns narrating this tale, they provide details on both the courtroom events and their personal histories, showcasing their deep bond and subtle resentments. The author also includes chapters told from the perspectives of several witnesses, with each of these chapters appearing immediately before the same witness testifies in court. Rather than feeling repetitive, this approach emphasizes the differences between real-life events and courtroom testimony, a medium through which facts can easily get warped. Through these varying perspectives, the author draws complex, nuanced characters while also illustrating the litany of emotions that can torment bereft parents. With fast-paced prose and several unexpected twists, the author skillfully weaves a web in which any of the characters might be the guilty party.

For those who can withstand the difficult subject of infanticide, a suspenseful courtroom drama full of poignant flashbacks and unique insights.

Pub Date: June 11, 2019

ISBN: 978-0-525-53939-1

Page Count: 400

Publisher: Putnam

Review Posted Online: March 17, 2019

Kirkus Reviews Issue: April 1, 2019

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LABYRINTH

Greed, love, and extrasensory abilities combine in two middling mysteries.

Coulter’s treasured FBI agents take on two cases marked by danger and personal involvement.

Dillon Savitch and his wife, Lacey Sherlock, have special abilities that have served them well in law enforcement (Paradox, 2018, etc.). But that doesn't prevent Sherlock’s car from hitting a running man after having been struck by a speeding SUV that runs a red light. The runner, though clearly injured, continues on his way and disappears. Not so the SUV driver, a security engineer for the Bexholt Group, which has ties to government agencies. Sherlock’s own concussion causes memory loss so severe that she doesn’t recognize Savitch or remember their son, Sean. The whole incident seems more suspicious when a blood test from the splatter of the man Sherlock hit reveals that he’s Justice Cummings, an analyst for the CIA. The agency’s refusal to cooperate makes Savitch certain that Bexholt is involved in a deep-laid plot. Meanwhile, Special Agent Griffin Hammersmith is visiting friends who run a cafe in the touristy Virginia town of Gaffers Ridge. Hammersmith, who has psychic abilities, is taken aback when he hears in his mind a woman’s cry for help. Reporter Carson DeSilva, who came to the area to interview a Nobel Prize winner, also has psychic abilities, and she overhears the thoughts of Rafer Bodine, a young man who has apparently kidnapped and possibly murdered three teenage girls. Unluckily, she blurts out her thoughts, and she’s snatched and tied up in a cellar by Bodine. Bodine may be a killer, but he’s also the nephew of the sheriff and the son of the local bigwig. So the sheriff arrests Hammersmith and refuses to accept his FBI credentials. Bodine's mother has psychic powers strong enough to kill, but she meets her match in Hammersmith, DeSilva, Savitch, and Sherlock.

Greed, love, and extrasensory abilities combine in two middling mysteries.

Pub Date: July 30, 2019

ISBN: 978-1-5011-9365-1

Page Count: 512

Publisher: Simon & Schuster

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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