A tender story that feels like a cozy hug.
A child draws hearts that remind the family of cherished memories.
The young narrator draws a heart on a steam-covered mirror in the bathroom. The child’s sister sits nearby brushing her teeth. Though the heart comes out wobbly, the child’s sister loves it: “That heart is like / our hips when we’re dancing / our hands in the air.” The protagonist spends the rest of the day drawing hearts—a wriggly heart makes the child’s older brother recall “you / when you bounce in your chair / and leap from the steps.” Another heart makes the child’s father think of “a kite caught in a breeze, / a dream that drifts.” The child draws bold polka-dotted hearts, tiny hearts that will bloom like cherry blossoms, hearts that bring to mind rain clouds. Sze’s text is poetic and sweet, with each member of this loving and supportive multigenerational family praising the child’s efforts and creativity. Depicting the textured woodgrain of a wall to sandy beaches, calm shores, and clear blue skies, Stoop’s beautiful, soft illustrations fill the page and bring layers of warmth and texture to the story. Long after sunset, paper lanterns lift into the air, symbolizing heart after heart that the little one has drawn in appreciation for those who fit into “this special heart that is mine.” Characters are cued Chinese.
A tender story that feels like a cozy hug. (Picture book. 4-8)Pub Date: Dec. 5, 2023
ISBN: 9780316349574
Page Count: 32
Publisher: Little, Brown
Review Posted Online: Sept. 23, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As insubstantial as hot air.
A diverse cast of children first makes a fleet of hot air balloons and then takes to the sky in them.
Lifestyle maven Gaines uses this activity as a platform to celebrate diversity in learning and working styles. Some people like to work together; others prefer a solo process. Some take pains to plan extensively; others know exactly what they want and jump right in. Some apply science; others demonstrate artistic prowess. But “see how beautiful it can be when / our differences share the same sky?” Double-page spreads leading up to this moment of liftoff are laid out such that rhyming abcb quatrains typically contain one or two opposing concepts: “Some of us are teachers / and share what we know. / But all of us are learners. / Together is how we grow!” In the accompanying illustration, a bespectacled, Asian-presenting child at a blackboard lectures the other children on “balloon safety.” Gaines’ text has the ring of sincerity, but the sentiment is hardly an original one, and her verse frequently sacrifices scansion for rhyme. Sometimes it abandons both: “We may not look / or work or think the same, / but we all have an / important part to play.” Swaney’s delicate, pastel-hued illustrations do little to expand on the text, but they are pretty. (This book was reviewed digitally with 11.2-by-18.6-inch double-page spreads viewed at 70.7% of actual size.)
As insubstantial as hot air. (Picture book. 4-8)Pub Date: Nov. 10, 2020
ISBN: 978-1-4003-1423-2
Page Count: 32
Publisher: Tommy Nelson
Review Posted Online: Jan. 18, 2021
BOOK REVIEW
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