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I'M NOT DYING WITH YOU TONIGHT

An unpolished grab bag of incidents that tries to make a point about racial inequality.

Two teenage girls—Lena and Campbell—come together following a football game night gone wrong.

Campbell, who is white and new to Atlanta, now attends the school where Lena, who is black, is a queen bee. At a game between McPherson High and their rival, a racist slur leads to fights, and shots are fired. The unlikely pair are thrown together as they try to escape the dangers on campus only to find things are even more perilous on the outside; a police blockade forces them to walk through a dangerous neighborhood toward home. En route, a peaceful protest turns into rioting, and the presence of police sets off a clash with protestors with gruesome consequences. The book attempts to tackle racial injustice in America by offering two contrasting viewpoints via narrators of different races. However, it portrays black characters as violent and criminal and the white ones as excusably ignorant and subtly racist, seemingly redeemed by moments when they pause to consider their privileges and biases. Unresolved story arcs, underdeveloped characters, and a jumpy plot that tries to pack too much into too small a space leave the story lacking. This is not a story of friendship but of how trauma can forge a bond—albeit a weak and questionable one—if only for a night.

An unpolished grab bag of incidents that tries to make a point about racial inequality. (Fiction. 15-adult)

Pub Date: Aug. 6, 2019

ISBN: 978-1-4926-7889-2

Page Count: 272

Publisher: Sourcebooks Fire

Review Posted Online: May 21, 2019

Kirkus Reviews Issue: June 15, 2019

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BINDING 13

From the Boys of Tommen series , Vol. 1

A troubling depiction of an unhealthy relationship.

A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.

Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.

A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)

Pub Date: Nov. 28, 2023

ISBN: 9781728299945

Page Count: 626

Publisher: Bloom Books

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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THE POISONS WE DRINK

An interesting premise unevenly executed.

Eighteen-year-old Venus Stoneheart is a witcher with a pain-filled past and an uncertain future.

In an alternate version of the greater Washington, D.C., metro area, Venus’ mother, the formidable Clarissa Stoneheart, used to be the Love Witcher. She broke her pledge to only brew love potions, lost her magic as a consequence, and then turned her attention to teaching Venus, the new Love Witcher, “her 3-B philosophy…Get your bag, brew, and bounce.” When Clarissa is murdered, Venus is tested to her limits as she fights external forces by using her calling (her magical ability to brew) for political gain while also struggling to quiet the deviation (or trauma-inflicted corruption of her calling) that infects her. The deviation, which she calls It, can give Venus access to immense power, but she’s still haunted, in more ways than she realizes, by the first time it was uncaged, when she was 15. The buildup to action takes some time, and the plot can be confusing to follow, given the digressions to explain the worldbuilding. Characters are alternately centered, pushed to the periphery, and then brought into focus again, seemingly in service of filling plot gaps but without necessarily moving the story forward. Patient readers will eventually encounter unexpected twists and turns that provide an exciting and satisfying ending. Recipes for potions readers can brew themselves deepen the pull into this witchery world.

An interesting premise unevenly executed. (content warning, author’s note, glossary) (Fantasy. 15-18)

Pub Date: March 5, 2024

ISBN: 9781728251950

Page Count: 496

Publisher: Sourcebooks Fire

Review Posted Online: Dec. 6, 2023

Kirkus Reviews Issue: Jan. 1, 2024

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