Fantasy fans who like their tales gritty and filled with irreverent humor will be eager for the follow-up.
A teen hellion realizes her calling as a grim reaper in this derivative but enjoyable novel set in an unusual town in upstate New York.
Previously perfectly well adjusted, Lex has spent the last couple of years hitting, spitting, swearing and acting out violent urges that she herself doesn’t understand. Her parents decide to ship her off to her Uncle Mort in Croak, hoping that hard farm labor will jog sense into her. Little do they know that Mort is the mayor of a community whose inhabitants are all involved in ensuring the humane transference of the dead into the next realm. Mort pairs her with cute but antagonistic Driggs, and the two grapple comically with their growing feelings for one another throughout. Many of the details here have a distinctly Potteresque feel—Lex is the most powerful Grim in a millennia, but bears similarity to a legendarily terrible villain. However, the central mystery is genuinely puzzling, and Lex’s narrative voice is funny and fresh—“Maybe this was one of those things that people should keep to themselves, like a hatred of baby pandas or a passion for polka music.” An unexpectedly (and frustratingly) abrupt conclusion leaves no doubt that there will be a sequel.
Fantasy fans who like their tales gritty and filled with irreverent humor will be eager for the follow-up. (Paranormal comedy. 13-18)Pub Date: March 20, 2012
ISBN: 978-0-547-60832-7
Page Count: 320
Publisher: Graphia
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: Feb. 15, 2012
Painful yet compulsively readable.
A white teen living a sheltered life seeks to break her rock-star mother out of the cycle of abuse perpetrated on their family.
Sixteen-year-old Jane lives in a large, old Victorian house with younger brother Henry, father Vernon, their cook, their gardener—and Mina, her mother, who, when she’s not out on tour with her world-famous punk band, Placenta, is confined by Vernon to a system of pneumatic tubes that traverse their house. Ever since the onset of the global pandemic over four years ago, Jane and Henry haven’t been allowed to return to school, instead receiving a bizarre regimen of home-school instruction from Vernon, while Mina watches on helplessly from her capsule in the tubes. Only when Jane stumbles on a cache of home movies—actually security camera footage from around their house dating back to her parents’ courtship days—does she begin to gain some perspective on her dysfunctional, abusive family life. In secret, she starts composing a punk opera to express her desire to save her mother from the life she seems trapped in. When Mina leaves to go on tour for Placenta’s latest album, Jane uses her wits to mount a nascent, persistent rebellion against Vernon’s toxic grip on their family’s psyche. Expertly blending fabulism with hard realism and Victorian language with contemporary teen-speak, this powerful narrative examines the myriad effects of emotional and physical abuse on a family.
Painful yet compulsively readable. (Fiction. 14-18)Pub Date: Sept. 24, 2024
ISBN: 9780593353974
Page Count: 400
Publisher: Dutton
Review Posted Online: May 30, 2024
Kirkus Reviews Issue: July 1, 2024
Too much hat, not enough cowboy.
A dystopian flip of colonialism mixes with horses on fire.
In the Empire, the dark-skinned Ashlords are a minority but have all the power. Each year they stage a spectacular multiday race on phoenixes—horses that rise from ashes at dawn only to die in flames each night. Pippa, the teen daughter of former winners, is this year’s favorite, but she’s challenged by Adrian, a tough Longhand cowboy from an oppressed group of rebels, and Imelda, the lone Dividian given free entry into the contest. The light-skinned Dividian were invaders who failed to conquer and who now live subject to the Ashlords (who credit their superiority to the intervention of their many gods). Phoenixes can have magical powers, depending on what you add to their ashes. It’s a lot of stuff crammed into one novel. Reintgen (Saving Fable, 2019, etc.) fits it all in, mostly (the gods never do make sense), with economical, crisp writing, at the expense of character development and overall clarity. The most well-developed relationship, between Imelda and her friend Farian, is abandoned after the first chapters. The worldbuilding falters, too: They have sophisticated computerized technology, including holograms and video streaming, but rely on horses and carriages for all transportation. It requires close reading to understand that the pale, invading Dividian majority are oppressed; the facts are told piecemeal without the analysis that might have given readers insights into our own world's history of colonialism
Too much hat, not enough cowboy. (Fantasy. 13-18)Pub Date: Jan. 21, 2020
ISBN: 978-0-593-11917-4
Page Count: 368
Publisher: Crown
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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