A mess, but at least it’s a hot one.
The action moves from phoenix races to all-out war in this sequel to Ashlords (2020).
The novel opens with victorious Ashlord Pippa leading an army against her previous foes in the Races: Imelda, a Dividian, and Adrian, a Longhand. The narrative shifts from one character to another as all three discover links to the underworld where the seven Ashlord gods live with their slaves, and they begin to see the gods, not each other, as the enemy. The pace here is frenetic, the writing smooth and exciting. The worldbuilding continues to feel illogical and inconsistent in terms of technological development, and most of the time it’s hard, if not impossible, to follow the plot. The phoenix horses around which the first novel centered are incidental to this book, but readers who haven’t read the first entry will feel lost and have difficulty understanding the characters or setup. Halfway through, the confusion begins to matter less as the characters become more fully developed. If readers don’t worry about understanding it all, the action will be interesting enough to carry things along as the story rockets to a somewhat comprehensible happy ending. Although in the first book the Ashlords were described as dark-skinned and the Dividians and Longhands as light, that difference is downplayed in this entry.
A mess, but at least it’s a hot one. (dramatis personae) (Fantasy. 12-18)Pub Date: Feb. 16, 2021
ISBN: 978-0-593-11921-1
Page Count: 400
Publisher: Crown
Review Posted Online: Nov. 23, 2020
Kirkus Reviews Issue: Dec. 15, 2020
A sweet if muddled tale of the magic of Appalachia.
A teenage witch goes up against the evil king of the mountain to save a cursed village.
Witch-in-training Verity Vox has spent a year apiece in different villages, helping in any way she can as she learns her art. When it’s time to move on, she receives a sign that shows her where to go next. When the latest sign appears in the form of a note begging for help that floats down on a leaf, she’s eager for the challenge. Verity winds up in Foxfire, a village in the Appalachian mountains that’s been magically cut off from the rest of the world for years, leaving its people close to starvation. The root of their suffering is a man they know as Earl, who lives in the hills and strikes deals with the townspeople that ultimately cause crops to wither, folks to disappear, and the only bridge out of the valley to crumble. Verity is determined to change the villagers’ fortunes, but to do so she’ll have to face off against not just Earl but the ancient power of the mountains itself. Loosely based on the Germanic Erlking legend and told in a voice reminiscent of folktales, the story features a queer romance and a cast that presents white. The convoluted magic system undercuts the strong themes of reciprocity, poverty, and privilege, but Appalachian readers will instantly recognize home.
A sweet if muddled tale of the magic of Appalachia. (Fantasy. 13-18)Pub Date: Aug. 5, 2025
ISBN: 9798890032706
Page Count: 336
Publisher: Page Street
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
SEEN & HEARD
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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