A mess, but at least it’s a hot one.
The action moves from phoenix races to all-out war in this sequel to Ashlords (2020).
The novel opens with victorious Ashlord Pippa leading an army against her previous foes in the Races: Imelda, a Dividian, and Adrian, a Longhand. The narrative shifts from one character to another as all three discover links to the underworld where the seven Ashlord gods live with their slaves, and they begin to see the gods, not each other, as the enemy. The pace here is frenetic, the writing smooth and exciting. The worldbuilding continues to feel illogical and inconsistent in terms of technological development, and most of the time it’s hard, if not impossible, to follow the plot. The phoenix horses around which the first novel centered are incidental to this book, but readers who haven’t read the first entry will feel lost and have difficulty understanding the characters or setup. Halfway through, the confusion begins to matter less as the characters become more fully developed. If readers don’t worry about understanding it all, the action will be interesting enough to carry things along as the story rockets to a somewhat comprehensible happy ending. Although in the first book the Ashlords were described as dark-skinned and the Dividians and Longhands as light, that difference is downplayed in this entry.
A mess, but at least it’s a hot one. (dramatis personae) (Fantasy. 12-18)Pub Date: Feb. 16, 2021
ISBN: 978-0-593-11921-1
Page Count: 400
Publisher: Crown
Review Posted Online: Nov. 23, 2020
Kirkus Reviews Issue: Dec. 15, 2020
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
Immersive and engaging, despite some flaws, and destined to capture imaginations.
Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.
Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.
Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)Pub Date: Jan. 31, 2017
ISBN: 978-1-250-09525-1
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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