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TOO MUCH! NOT ENOUGH!

From the Moe and Peanut series

Good spirits takes the solemnity out of differences.

They could be Felix and Oscar of The Odd Couple, except Perry has made one into what looks like an animated peanut (named, appropriately, Peanut) and the other a tidy refrigerator with Jimmy Durante’s beezer.

Moe likes things on the controlled, neat side; Peanut likes things in constant motion. “Too much splashing” is met with “not enough puddles.” “Too much food” is countered with “Not enough syrup.” The two of them go back and forth, one unnerved by the gathering chaos, the other ready to test the limits of chaos theory. But it is rather fun. Moe may be a bit of a neatnik, but the pink-nosed, snaggle-toothed blue monster isn’t oppressive about it, and Peanut is never an in-your-face pest—actually Peanut’s always looking for the silver lining to turn Moe’s grumbles (though Moe rarely, rarely has a grumpy face) into joy: “Too much mess.” “Not enough bubbles!” That is what separates this book about differences—the mood is upbeat. Even when Moe blows a fuse and goes out into the night to study the stars (though it is raining) and get away from the mayhem, readers know common ground is not far away and that after Peanut has cleaned the place up—inquiring upon Moe’s return if it is “Too much” tidiness—all will be well.

Good spirits takes the solemnity out of differences. (Picture book. 3-7)

Pub Date: Aug. 14, 2018

ISBN: 978-1-101-91950-7

Page Count: 40

Publisher: Tundra Books

Review Posted Online: April 15, 2018

Kirkus Reviews Issue: May 1, 2018

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HEDGEHOGS DON'T WEAR UNDERWEAR

Sure to have little ones giggling.

Jacques is a hedgehog with a big secret: “I wear real, bona fide underwear.”

Our narrator received a mysterious package one day; an illustration shows a pair of underwear tied to a balloon with a note “from the Universe” floating down into Jacques’ burrow. Hedgehogs don’t wear underwear, however. Will Jacques be shunned? Jacques worries but comes to a decision: “I have to wear them. When I do I feel special.” Determined, Jacques, who’s been invited to a party, makes a dramatic entrance, with undies in hand. Jacques’ declaration (“I WEAR UNDERWEAR”) is met with remarks of dismay, before another hedgehog opens up about similar fears and shows off a pair of cowboy boots. More hedgehogs introduce themselves with their own confessions. The story ends with Jacques unveiling a painting of the underwear in a gallery filled with hedgehogs wearing all sorts of attire. Though the book is simple in plot, characters, and setting, it wins in its balance of bathroom humor, dramatic storytelling, and celebrations of individual expression. French words are peppered throughout, adding to the fun without detracting from the story for those unfamiliar with the language. The cartoonish illustrations brim with fun; Valdez relies heavily on geometric shapes (triangle noses for the hedgehogs; huge circles for their eyes). Details such as speech bubbles and recurring turtle and snake characters contribute to the outlandish humor.

Sure to have little ones giggling. (Picture book. 3-5)

Pub Date: April 1, 2025

ISBN: 9781250814388

Page Count: 40

Publisher: Roaring Brook Press

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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