by Ginna Leatherbury ‧ RELEASE DATE: N/A
An affecting, well-constructed story of a family and a girl holding on to hope.
Tragedy compels a young girl into a series of new adventures.
When Julia Santi was a child, she was part of a tightknit family: herself, her sister, their mother, and their father—their motto: “We four stick together in all kinds of weather.” But pancreatic cancer took her mother; her sister, Callie, died far too early, leaving behind her husband, Billy Bowen, and their little daughter, Rumi. Years later, Julia is a fashion designer in Manhattan with an apartment on Park Avenue. She’s on the verge of a breakout in her career—“The outfit was an instant hit and from that point on, fashion was Julia’s everything. She talked it, walked it, studied it, copied it, created it, critiqued it, sewed it, tore it apart, lived it, ate it, and breathed it”—when she gets an unexpected call from her father. Billy’s airplane has disappeared, and now 10-year-old Rumi is alone. Julia’s father, who’s footing the fashionista’s bill for her fancy apartment, orders her to take the girl in. When Rumi arrives in the city, she’s immediately a handful. She’s respectful, but she adamantly insists that her father is still alive (she likewise insists that she isn’t a Santi—her name is Bowen). Julia treats her with stiff affection, tries to enroll her in an exclusive academy, and does her best to acclimate to being what amounts to a foster parent. But when Rumi becomes convinced that a mysterious man who shows up in New York is in fact her father, the fragile peace of their new arrangement shatters.
The story of Rumi and the people around her is told with a quick pace that’s helped considerably by the fact that a large percentage of the narrative unfolds as dialogue. This plays to one of the author’s strengths. Since the dialogue is both sharply done and convincingly individualized, no two characters sound alike. And the text that interweaves the conversations is every bit as crystalline as the rest, often turning on a neat little insight. When Rumi reconsiders her father’s fate, for instance, we read, “Aunt Julia’s words had planted a seed and now doubts and fears were sprouting like weeds.” Or when Julia tartly reflects on the unexpected turn her life has taken: “Two weeks ago, I was free as a bird and excited to open a new boutique,” she thinks. “Now I’m the single parent of a ten-year-old, sitting on a toilet lid with no wine in sight and no brilliant wisdom to impart.” But the book’s most effective element is its unadorned but compassionate portrait of Rumi’s own character, her curiosity, her determination in the face of a bewildering new life, and, most of all, the tenacity of her optimism. The strength and resourcefulness she shows in the plot twists of the second half feel entirely grounded in the personality that’s well developed early on. And when Rumi reflects on the origins of her name—“If I end up with even an ounce of his wisdom, I’ll be happy”—readers will think she’s well on her way.
An affecting, well-constructed story of a family and a girl holding on to hope.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Feb. 8, 2022
Review Program: Kirkus Indie
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BOOK REVIEW
by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Thomas Schlesser ; translated by Hildegarde Serle ‧ RELEASE DATE: Aug. 26, 2025
A pleasant if not entirely convincing tribute to the power of art.
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New York Times Bestseller
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
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SEEN & HEARD
SEEN & HEARD
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