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The FLYING PAPERS

An affecting, well-constructed story of a family and a girl holding on to hope.

Tragedy compels a young girl into a series of new adventures.

When Julia Santi was a child, she was part of a tightknit family: herself, her sister, their mother, and their father—their motto: “We four stick together in all kinds of weather.” But pancreatic cancer took her mother; her sister, Callie, died far too early, leaving behind her husband, Billy Bowen, and their little daughter, Rumi. Years later, Julia is a fashion designer in Manhattan with an apartment on Park Avenue. She’s on the verge of a breakout in her career—“The outfit was an instant hit and from that point on, fashion was Julia’s everything. She talked it, walked it, studied it, copied it, created it, critiqued it, sewed it, tore it apart, lived it, ate it, and breathed it”—when she gets an unexpected call from her father. Billy’s airplane has disappeared, and now 10-year-old Rumi is alone. Julia’s father, who’s footing the fashionista’s bill for her fancy apartment, orders her to take the girl in. When Rumi arrives in the city, she’s immediately a handful. She’s respectful, but she adamantly insists that her father is still alive (she likewise insists that she isn’t a Santi—her name is Bowen). Julia treats her with stiff affection, tries to enroll her in an exclusive academy, and does her best to acclimate to being what amounts to a foster parent. But when Rumi becomes convinced that a mysterious man who shows up in New York is in fact her father, the fragile peace of their new arrangement shatters.

The story of Rumi and the people around her is told with a quick pace that’s helped considerably by the fact that a large percentage of the narrative unfolds as dialogue. This plays to one of the author’s strengths. Since the dialogue is both sharply done and convincingly individualized, no two characters sound alike. And the text that interweaves the conversations is every bit as crystalline as the rest, often turning on a neat little insight. When Rumi reconsiders her father’s fate, for instance, we read, “Aunt Julia’s words had planted a seed and now doubts and fears were sprouting like weeds.” Or when Julia tartly reflects on the unexpected turn her life has taken: “Two weeks ago, I was free as a bird and excited to open a new boutique,” she thinks. “Now I’m the single parent of a ten-year-old, sitting on a toilet lid with no wine in sight and no brilliant wisdom to impart.” But the book’s most effective element is its unadorned but compassionate portrait of Rumi’s own character, her curiosity, her determination in the face of a bewildering new life, and, most of all, the tenacity of her optimism. The strength and resourcefulness she shows in the plot twists of the second half feel entirely grounded in the personality that’s well developed early on. And when Rumi reflects on the origins of her name—“If I end up with even an ounce of his wisdom, I’ll be happy”—readers will think she’s well on her way.

An affecting, well-constructed story of a family and a girl holding on to hope.

Pub Date: N/A

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Page Count: -

Publisher: N/A

Review Posted Online: Feb. 8, 2022

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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