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RELIEF BY EXECUTION

A VISIT TO MAUTHAUSEN

A thoughtful meditation on the painful process of self-knowledge.

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Aras’ (The Fugue, 2015, etc.) memoir recounts a tumultuous childhood and an emotional visit to an Austrian concentration camp as an adult.

The author was born in Cicero, Illinois, in 1973, a “rusted manufacturing town” that borders Chicago’s West Side, where, he says, violence was accepted as a part of ordinary life. His parents were Lithuanian refugees who’d fled Soviet occupation in 1945 and were drawn to Cicero because of its Lithuanian community and its Catholic parish. There, Aras suffered terribly under the violent despotism of his father, he says, which would haunt him well into adult life. The author realized that the account of Lithuanian history that his family taught him was a heavily “edited,” anti-Semitic one, and that, by extension, his own identity “seemed concocted, with most adults I knew participating in its composition.” He later moved to Linz, Austria, and took a job as a teaching assistant, and lived there for three years. But he couldn’t make himself visit the Mauthausen Concentration Camp Memorial—a conspicuous reluctance that the author mines with impressive, introspective depth: “I had learned I had the consciousness of the victim and the perpetrator inside me all at once, and my suffering was the result of a war between them….I had avoided concentration camps because…I feared they’d offer one of these shades the opportunity to win out.” Aras’s remembrance is as philosophically moving as it is brief—fewer than 100 pages. Despite its brevity, the memoir’s confessional candor is profoundly affecting as Aras plumbs the depths of his tortured mind with great sensitivity and humility, as when, early on, he notes how the town of Cicero inspired a “conflicted sense of fear, sadness, concern, and bewilderment” in him. The memoir is part of the Little Bound Book Essay Series; it’s small in size—just 4 by 6 inches—and adorned with a few melancholic black-and-white photographs.

A thoughtful meditation on the painful process of self-knowledge.

Pub Date: Oct. 8, 2019

ISBN: 978-1-947003-47-7

Page Count: 94

Publisher: Homebound Publications

Review Posted Online: Nov. 26, 2019

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlanticsenior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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