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DEAD CODE

A TRISHA CARSON MYSTERY

An immensely likable sleuth headlines this lively crime tale.

In this third installment of a mystery series, an amateur Northern California detective searches for a missing person and stumbles on cyberespionage.

Trisha Carson leads a relatively quiet life working part time at the San Francisco Giants ballpark. But she’s solved two murders just in the last few years. So when Tyler Stockton, the adult grandson of her live-in landlord, Earl, seemingly vanishes, Trisha’s curiosity kicks into high gear. With a bit of snooping, she’s on to something much bigger than a missing person’s case. What that is specifically, she’s not exactly sure, but it involves a business heavily invested in cyberspying. There’s also a possible link to Earl, who flies and designs drones, which could put him, Trisha, and her dad, Robert, who lives with them as well, in peril. As Trisha digs for information on these cyberspies, she suspects a hacker has somehow bugged her house, made mysterious charges to her credit card, and nosed around on her computer and phone. As if this weren’t enough, Trisha seems to have a new admirer, Burk Dennison, a man who’s fine as “eye candy” but whose frequent run-ins with her eventually become contrived and stalker-ish. Carroll packs this installment with dynamic plot turns. While the enigmatic villains and their initially unclear objective complicate the story, everything makes sense by the end. Trisha’s intriguing personal life fuses well with her amateur investigation. For example, she only recently reconnected with Robert, who abandoned her and her younger sister, Lena, decades ago; this sparks brief but endearing scenes of Trisha and her father on the case together. Though her deductive skills, at least in this novel, rely too much on luck, Trisha proves far smarter and more prudent than the “danger junkie” she believes she is. The author’s pithy writing deftly blends technological jargon with relatable humor, such as the two sisters blaming each other for waking up Timmy, Lena’s 6-month-old son.

An immensely likable sleuth headlines this lively crime tale.

Pub Date: Oct. 27, 2021

ISBN: N/A

Page Count: 272

Publisher: Indies United Publishing House

Review Posted Online: Sept. 3, 2021

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE ENDING WRITES ITSELF

High-concept and highly entertaining.

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  • New York Times Bestseller

Fiction writers compete to finish a famous author’s abandoned novel.

Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.

High-concept and highly entertaining.

Pub Date: April 7, 2026

ISBN: 9780063444614

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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