While some adults may welcome the chance to discuss the issues raised in the illustrations, many may find the text, however...

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PEA POD LULLABY

A family takes an ocean journey from a bleak, war-torn location to a dock by a small house where a man and dog appear to welcome them.

The action begins immediately in this Australian import, as a woman, baby, young child (all have tan complexions), and brown dog run pell-mell down a slope tangled with barbed wire on the title page. Fiery red and yellow splashes behind them imply violence without offering details. Climbing into a boat with a patched sail, they set out. They see only the sea and sky until (improbably) they meet a polar bear perched on a floating refrigerator. After helping the polar bear to get home, the family sails on. King’s lovely ink-and-watercolor illustrations are simple but evocative. Blues and grays predominate, making the occasional appearance of bright green, yellow, and red stand out. Multiple unframed horizontal panels create a sense of movement, while double-page spreads allow readers a closer look at specific moments in the journey. Millard’s brief text, meanwhile, is decidedly abstract. Paired phrases contrast “I” and “you,” and each ends with an exhortation: “I am the small green pea / you are the tender pod / hold me.” Unfortunately, confusion about who is speaking to whom often makes it hard to understand who is being asked to “quench me” or “shelter me,” and some requests (“dance me”) may truly perplex young listeners.

While some adults may welcome the chance to discuss the issues raised in the illustrations, many may find the text, however lyrical, a barrier to comprehension. (Picture book. 5-8)

Pub Date: Dec. 11, 2018

ISBN: 978-1-5362-0197-0

Page Count: 40

Publisher: Candlewick

Review Posted Online: Sept. 17, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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The buoyant uplift seems a bit pre-packaged but spot-on nonetheless.

THE WORLD NEEDS MORE PURPLE PEOPLE

A monohued tally of positive character traits.

Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)

Pub Date: June 2, 2020

ISBN: 978-0-593-12196-2

Page Count: 40

Publisher: Random House

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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