Thoroughly researched and written with passion—and a bit of bite.
A rich chronicle of craft in America from Jamestown to the present day.
In his latest book on craft, historian and curator Adamson displays his vast knowledge of crafts, artisans, and political and business figures who have helped or hindered craft’s advancement. He notes the evolution from craft-as-survival to its current status as a much smaller—but significant—part of our overall economy. He also sees its potential as a way to begin to reunite a divided country. (The author has a couple of harsh comments for Donald Trump, at one point calling him a “farcical blowhard.”) Adamson leads us on a chronological journey through American history, pointing out along the way—sometimes in lush detail—the various craft movements and ideas that were prominent at certain times. The text swarms with interesting anecdotes and names—some well-known (Benjamin Franklin, Henry David Thoreau, Martha Stewart) and others who will be less familiar to most readers: James Pembroke, the first Black man to attend classes at Yale; Candace Wheeler, one of America’s first interior designers, who “realized what many of her fellow craft reformers did not: that beauty and practicality did not always go together, and were often in conflict”; and Juliette Gordon Low, founder of the Girl Scouts. Throughout the narrative, the author displays a sensible sensitivity to various cultural, racial, and gender issues that remain with us—from the brutal treatment of Native peoples and African Americans to the denial of equal labor rights (and salaries) to women. Adamson also corrects some myths, noting that there’s no real evidence that Betsy Ross sewed the first American flag: “The thing everyone knows about her…turns out to be uncertain at best, and perhaps an invention from whole cloth, put about by over-enthusiastic descendants.” The author offers welcome details about such topics as repressive schools for American Indians (e.g., Carlisle Indian School) and Rosie the Riveter.
Thoroughly researched and written with passion—and a bit of bite.Pub Date: Jan. 19, 2021
ISBN: 978-1-63557-458-6
Page Count: 352
Publisher: Bloomsbury
Review Posted Online: Oct. 4, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
BOOK REVIEW
An exquisitely original celebration of American Blackness.
A potent series of “notes” paints a multidimensional picture of Blackness in America.
Throughout the book, which mixes memoir, history, literary theory, and art, Sharpe—the chair of Black studies at York University in Toronto and author of the acclaimed book In the Wake: On Blackness and Being—writes about everything from her family history to the everyday trauma of American racism. Although most of the notes feature the author’s original writing, she also includes materials like photographs, copies of letters she received, responses to a Twitter-based crowdsourcing request, and definitions of terms collected from colleagues and friends (“preliminary entries toward a dictionary of untranslatable blackness”). These diverse pieces coalesce into a multifaceted examination of the ways in which the White gaze distorts Blackness and perpetuates racist violence. Sharpe’s critique is not limited to White individuals, however. She includes, for example, a disappointing encounter with a fellow Black female scholar as well as critical analysis of Barack Obama’s choice to sing “Amazing Grace” at the funeral of the Rev. Clementa Pinckney, who was killed in a hate crime at the Mother Emmanuel AME Church in Charleston, South Carolina. With distinct lyricism and a firm but tender tone, Sharpe executes every element of this book flawlessly. Most impressive is the collagelike structure, which seamlessly moves among an extraordinary variety of forms and topics. For example, a photograph of the author’s mother in a Halloween costume transitions easily into an introduction to Roland Barthes’ work Camera Lucida, which then connects just as smoothly to a memory of watching a White visitor struggle with the reality presented by the Legacy Museum in Montgomery, Alabama. “Something about this encounter, something about seeing her struggle…feels appropriate to the weight of this history,” writes the author. It is a testament to Sharpe’s artistry that this incredibly complex text flows so naturally.
An exquisitely original celebration of American Blackness.Pub Date: April 25, 2023
ISBN: 9780374604486
Page Count: 392
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 18, 2023
Kirkus Reviews Issue: Feb. 15, 2023
A heartfelt if somewhat unsurprising view of old age by the former president. Carter (Living Faith, 1996, etc.) succinctly evaluates the evolution and current status of federal policies concerning the elderly (including a balanced appraisal of the difficulties facing the Social Security system). He also meditates, while drawing heavily on autobiographical anecdotes, on the possibilities for exploration and intellectual and spiritual growth in old age. There are few lightning bolts to dazzle in his prescriptions (cultivate family ties; pursue the restorative pleasures of hobbies and socially minded activities). Yet the warmth and frankness of Carter’s remarks prove disarming. Given its brevity, the work is more of a call to senior citizens to reconsider how best to live life than it is a guide to any of the details involved.
Pub Date: Oct. 26, 1998
ISBN: 0-345-42592-8
Page Count: 96
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1998
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