A courageous advocate for journalistic and democratic integrity strikes again.
In his latest explosive exposé, Greenwald turns to his adopted Brazil and the corrupt machinations of its highest leaders.
Having lived there since 2005 with his Brazilian partner and husband, David, a politician, and two adopted children, the American-born author has been deeply ensconced in the life of his adopted country for years. In 2018, they were alarmed by the election of Jair Bolsonaro as president, a process that was markedly similar to the aggressive nationalist trends that carried Donald Trump into office in the U.S. Like Trump, Bolsonaro, along with many of his elected officials, openly expressed authoritarian, anti-democratic, pro-military, anti–LGBTQ+ rhetoric. Contacted on Mother’s Day 2019 by an anonymous Brazilian hacker then living in the U.S. who targeted Greenwald because of his involvement in the Edward Snowden intelligence leaks, the author agreed to receive reams of files that revealed years of corruption by state and national figures. Making sense of the files, Greenwald uncovered a vast web of corruption that was integral in getting Bolsonaro and his party elected by eliminating the opposition—namely, former two-term president Luiz Inácio Lula da Silva, the center-left political leader of the Workers’ Party. Greenwald published articles on the hacks in June 2019, helping to vindicate Lula, but he was met with a violent backlash by Bolsonaro and his thuggish establishment. Nonetheless, he was undeterred. “I believe we righted wrongs, reversed injustices, and exposed grave corruption,” he writes. “In many ways, I regard the dangers and threats we faced as vindication that we fulfilled our core function as journalists: to unflinchingly confront those who wield power with transparency, accountability, and truth.” Though some of the details may not be as revelatory to American readers as those involving Snowden and the National Security Agency, this is still a fascinating portrait of the importance of journalism in today’s tumultuous political world.
A courageous advocate for journalistic and democratic integrity strikes again.Pub Date: April 6, 2021
ISBN: 978-1-64259-450-8
Page Count: 280
Publisher: Haymarket Books
Review Posted Online: March 9, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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