A religious centering amid the run-up to Christmas.
A day-by-day Advent adventure for families to share together.
Beginning on Dec. 1 with an introduction to the season of Advent and this book, and ending on Dec. 25 with just a short rhyme, Nellist’s text familiarizes children with the Christmas season and events ranging from Genesis’ “Let there be light” and Isaiah’s foretelling the birth of a baby to Mary’s visit with Elizabeth and the arrival of the Magi after Jesus’ birth (on Dec. 21 here). A rhyming verse starts each day’s entry. The meter and rhyme sometimes force the word order and choices and, in four entries, unfortunately and jarringly reflect the classic poem “A Visit From St. Nicholas.” The bulk of each page explains the Bible verse that follows the rhyme and humanizes the main characters: Joseph’s indecision about marrying a pregnant Mary, the job of a shepherd, and the treasure box of memories that Mary stored in her heart. The entry ends with a brief prayer: “Dear God, thank you for Mary who was so brave and trusted you. When I need to be brave, help me remember that you are with me.” Depending on their ages, children within a family may find some content too simple and some over their heads. Jewel-toned illustrations in luminous colors and lots of detail fill half of each spread. All the people, save the three Magi, are Middle Eastern in skin color, facial features, and dress. (This book was reviewed digitally.)
A religious centering amid the run-up to Christmas. (Religion. 4-10)Pub Date: Oct. 5, 2021
ISBN: 978-0-310-73415-4
Page Count: 48
Publisher: Zonderkidz
Review Posted Online: Aug. 10, 2021
Kirkus Reviews Issue: Sept. 1, 2021
BOOK REVIEW
BOOK REVIEW
St. Patrick’s Day will never be the same; beware, though: leprechauns who aren’t caught often take revenge by making messes.
Devious young scientists, engineers, and crafters will be solidly occupied with the 16 traps, three snacks, and 10 leprechaun tricks that are described here.
Each project comes with a level of difficulty, leprechaun appeal meter, list of materials, its STEAM connection (in a separate box listing topics touched upon and extensions), and numbered steps. The STEAM connections vary widely. Too many of the early projects that involve a stick propping up a trap lid have the same STEAM connection. Later projects, including a Leprechaun Run and a Marshmallow Catapult that talk about potential and kinetic energy and a Marshmallow Bridge that is heavy on the engineering piece, have more solid STEAM connections. “Did You Know” featurettes offer fascinating facts: Ireland has more sheep than people, and leprechauns used to wear red, not green. Readers will know to call a grown-up when they see the words “adult supervision” underlined in the directions, which also include “messy alerts.” The artwork is a mix of photographs, line drawings, and cartoons. Only two completed projects are photographed; the rest are digital illustrations. While this allows kids scope for their imaginations, some may need more help with the steps than the cartoons provide (particularly with the catapult). Photos show an array of diverse children working on the projects, although the disembodied hand holding scissors shown frequently is always white.
St. Patrick’s Day will never be the same; beware, though: leprechauns who aren’t caught often take revenge by making messes. (Nonfiction. 4-10)Pub Date: Feb. 1, 2018
ISBN: 978-1-4926-6388-1
Page Count: 96
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Dec. 2, 2017
Kirkus Reviews Issue: Jan. 1, 2018
BOOK REVIEW
Pass.
The traditions and history of one of Mexico’s most important holidays are introduced in this latest of Eliot’s Celebrate the World series.
From setting up the flower-festooned altars to decorating the calaveras, the preparations depicted involve entire communities over several weeks. Characters in cowboy hats, sombreros, and baseball caps place the final touches on skeletons in full lucha libre regalia or spangled mariachi outfits. However, instead of accurately using Mexico’s name for the holiday, Día de Muertos, Eliot uses the English back-translation, “Día de los Muertos,” as is common in the U.S. even though the story evidently takes place in Mexico. Also, aside from stating that the celebration “is an ancient tradition,” there is no mention of its Indigenous, pre-European/Christian roots nor does the book actively distinguish between Día de Muertos and Halloween. The first-person narration vacillates between child and adult perspectives. “We do all this to celebrate the beauty of life and death rather than mourn it.” Gutierrez’s mixed-media illustrations are convulsive, crowded panes of frenetic activity. Exaggerated facial features border on stereotypical caricatures—snouts and bug eyes abound. Contributing to the crowded page design is the unfortunate choice of board rather than picture-book format. Consequently, the initial perception is that this series is geared toward toddlers, when it is the school-age child who would most benefit from the information in this book.
Pass. (Board book. 4-7)Pub Date: July 24, 2018
ISBN: 978-1-5344-1515-7
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 15, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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