by Global Fund for Children ‧ RELEASE DATE: Aug. 4, 2015
Sweet, tender, and positive; perfect for sharing with the newest world citizens.
The universality of the most basic human need—sleep—is touchingly illustrated with ahh-inspiring photos.
Each page shows a sleeping infant embraced protectively by a loving parent, nestled in a crib, or held close in a fabric carrier. The country of origin is noted in text curved around each sleeping child's head. Love and care are constant across cultures. The photo from Guatemala, of a little girl asleep amid bananas in a market, mildly hints at the poverty of the region, but even in this instance the baby looks clean, content, and cared for. Several of the children are dressed in colorful, culturally specific clothing—the Chinese baby wears a Mongolian-style hat, blue batik wraps the baby from Panama, and the infant from the Ivory Coast is wrapped in orange, red, and black fabric. Still, the differences are subtle. In reality, these babies could be seen in any American city. Readers are left with the impression that all these babies are part of one human family, although, appropriately, this is never stated directly. The one simple sentence of text starts out, “Babies everywhere / go to sleep,” and ends with the worldwide wish, “Sweet dreams!”
Sweet, tender, and positive; perfect for sharing with the newest world citizens. (Board book. 3 mos.-3)Pub Date: Aug. 4, 2015
ISBN: 978-1-58089-708-2
Page Count: 16
Publisher: Charlesbridge
Review Posted Online: July 26, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Tom Percival ; illustrated by Tom Percival ‧ RELEASE DATE: March 1, 2022
An accessible entrance into the world of social-emotional skills.
What do you do when the world turns upside down?
Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.
An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)Pub Date: March 1, 2022
ISBN: 978-1-5476-0822-5
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
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by R.J. Palacio ‧ RELEASE DATE: Feb. 14, 2012
A memorable story of kindness, courage and wonder.
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After being home-schooled for years, Auggie Pullman is about to start fifth grade, but he’s worried: How will he fit into middle school life when he looks so different from everyone else?
Auggie has had 27 surgeries to correct facial anomalies he was born with, but he still has a face that has earned him such cruel nicknames as Freak, Freddy Krueger, Gross-out and Lizard face. Though “his features look like they’ve been melted, like the drippings on a candle” and he’s used to people averting their eyes when they see him, he’s an engaging boy who feels pretty ordinary inside. He’s smart, funny, kind and brave, but his father says that having Auggie attend Beecher Prep would be like sending “a lamb to the slaughter.” Palacio divides the novel into eight parts, interspersing Auggie’s first-person narrative with the voices of family members and classmates, wisely expanding the story beyond Auggie’s viewpoint and demonstrating that Auggie’s arrival at school doesn’t test only him, it affects everyone in the community. Auggie may be finding his place in the world, but that world must find a way to make room for him, too.
A memorable story of kindness, courage and wonder. (Fiction. 8-14)Pub Date: Feb. 14, 2012
ISBN: 978-0-375-86902-0
Page Count: 320
Publisher: Knopf
Review Posted Online: Dec. 2, 2011
Kirkus Reviews Issue: Dec. 15, 2011
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