A funny and intimate behind-the-scenes look at royal family life by the National Book Award–winning Whelan (Homeless Bird,...

QUEEN VICTORIA'S BATHING MACHINE

The Victorian era is often caricatured as a time of excessive modesty, and this buoyant, rhyming picture book highlights a royal example with affection and good humor.

Queen Victoria longs for a summer swim, but even when she’s vacationing at her informal residence on the Isle of Wight, decorum prevents her from traipsing down to the beach in her bathing suit—it would expose her queenly knees! Her doting husband, Prince Albert, invents a “bathing machine,” a caravan of sorts in which his wife can change out of her corset and petticoats in privacy and be wheeled straight into the water: “You climb down the steps in perfect repose, / into the ocean right up to your nose. / No one will get so much as a peep, / except for the creatures down in the deep.” Jaunty Seuss-ian rhymes (most effective when read aloud with an English accent) tell the amusing true-life story, and gleeful pen-and-watercolor illustrations of the royal family—including nine busy children—spill into lively double-page spreads. In one Monty Python–esque scene, Queen Victoria is unceremoniously flipped into the Atlantic via catapult, one of her husband’s earlier queen-transportation solutions. The book’s crown jewel? The underwater queen blissfully blowing bubbles with the fish.

A funny and intimate behind-the-scenes look at royal family life by the National Book Award–winning Whelan (Homeless Bird, 2000). (author’s note, photo of actual bathing machine, bibliography, websites) (Picture book. 4-8)

Pub Date: April 15, 2014

ISBN: 978-1-4169-2753-2

Page Count: 40

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: Feb. 19, 2014

Kirkus Reviews Issue: March 1, 2014

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The snappy text will get toes tapping, but the information it carries is limited.

LET'S DANCE!

Dancing is one of the most universal elements of cultures the world over.

In onomatopoeic, rhyming text, Bolling encourages readers to dance in styles including folk dance, classical ballet, breakdancing, and line dancing. Read aloud, the zippy text will engage young children: “Tappity Tap / Fingers Snap,” reads the rhyme on the double-page spread for flamenco; “Jiggity-Jig / Zig-zag-zig” describes Irish step dancing. The ballet pages stereotypically include only children in dresses or tutus, but one of these dancers wears hijab. Overall, children included are racially diverse and vary in gender presentation. Diaz’s illustrations show her background in animated films; her active child dancers generally have the large-eyed sameness of cartoon characters. The endpapers, with shoes and musical instruments, could become a matching game with pages in the book. The dances depicted are described at the end, including kathak from India and kuku from Guinea, West Africa. Unfortunately, these explanations are quite rudimentary. Kathak dancers use their facial expressions extensively in addition to the “movements of their hands and their jingling feet,” as described in the book. Although today kuku is danced at all types of celebrations in several countries, it was once done after fishing, an activity acknowledged in the illustrations but not mentioned in the explanatory text.

The snappy text will get toes tapping, but the information it carries is limited. (Informational picture book. 4-6)

Pub Date: March 3, 2020

ISBN: 978-1-63592-142-7

Page Count: 32

Publisher: Boyds Mills

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)

LITTLE MELBA AND HER BIG TROMBONE

Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.

Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.

Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)

Pub Date: July 1, 2014

ISBN: 978-1-60060-898-8

Page Count: 40

Publisher: Lee & Low Books

Review Posted Online: June 4, 2014

Kirkus Reviews Issue: June 15, 2014

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