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DEATH AND THE OLD MASTER

Lots of potential conflicts, but they’re as soft-pedaled as the background music at a funeral parlor.

A violent death rocks the fictitious Hardwick College, surely the last outpost in Cambridge University to be visited by homicide.

Going to investigate an untoward shriek, night porter Oliver Staunton finds Sir Flyte Rascallian, the master of the college, stabbed in the back. Given the inveterate envy characteristic of so many academics, it’s possible that the motive for his killing was the eagerness that Prof. Patricia Beadle-Batsford, of the Department of Women’s Studies, has expressed to succeed him in his August position. It seems more likely, though, that he was really killed because of another old master: Rembrandt, who may just have painted the portrait of a young woman that was among the canvases and papers Sir Flyte was given by Beatrice Rascallian, his uncle’s widow, shortly before she died. DCI Arthur St. Just, returning for another investigation, is clearly in no hurry to close the case, and the unruffled pace of his investigation gives the killer time to claim another victim, narrowing the little pool of suspects even further. Was the master killed by Beadle-Batsford; by her teenage daughter, Peyton; by the American graduate student Rufus Penn, whom Peyton insists is her boyfriend; by gallery owner Ambrose Nussknacker, who’d shown a keen interest in having the suspect Rembrandt tested to establish authenticity; or by one of the other Hardwick porters? The question is upstaged by the fact that the mysterious painting has disappeared. Malliet works conscientiously to distribute suspicion among the survivors, but none of them is half as interesting as that portrait.

Lots of potential conflicts, but they’re as soft-pedaled as the background music at a funeral parlor.

Pub Date: Nov. 5, 2024

ISBN: 9781448314720

Page Count: 240

Publisher: Severn House

Review Posted Online: Sept. 28, 2024

Kirkus Reviews Issue: Nov. 1, 2024

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STOLEN IN DEATH

The heroine’s 62nd appearance is a hit-or-miss mystery best suited for readers already invested in her complicated life.

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Lt. Eve Dallas is sucked into a murder that may well be overshadowed by another crime—and by the news that Roarke, her billionaire husband, is implicated in both felonies in an unexpected and troubling way.

Disturbed from her sleep, Aileen Carville arises to discover her wealthy husband, Nathan Barrister, coshed to death by a heavy amethyst from the collection of his late father, Zip Global founder Henry J. Barrister. His corpse is lying outside an open vault that everyone in the family insists they hadn’t known about until a couple of months ago, and it’s filled with priceless paintings and sculptures and jewels taken years ago from an A-list of museums, one of which—the Royal Suite, a legendary emerald setting—has evidently been stolen once again. The bombshell revelation that Henry must have commissioned the thefts himself leads to two questions—how did the thief who killed Nathan know about the vault and its contents, and what possessed Nathan’s wealthy father to steal and hide all these goodies in the first place?—that are much more interesting than whodunit, though only one of them will be satisfactorily answered. Another bombshell revelation follows: Roarke’s confession to Dallas that he stole the Royal Suite from London’s Tate Gallery when he was still a teenager, years before he turned away from a life of crime himself. Since Interpol is much more interested in the theft than the murder, there’s a real danger that they’ll decide Roarke was once again the thief. So, Dallas faces the double challenge of solving the crimes and keeping her beloved husband out of the frame.

The heroine’s 62nd appearance is a hit-or-miss mystery best suited for readers already invested in her complicated life.

Pub Date: Feb. 3, 2026

ISBN: 9781250414526

Page Count: 368

Publisher: St. Martin's

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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