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DEATH IN PRINT

Will this latest case follow the meteoric curve of the victim’s bestselling debut? Don’t hold your breath.

Or Death by Print, since prodigiously successful Jason Verdoodt seems to have been bashed to death by a copy of his own first novel.

That novel, The White Owl, has just sold its millionth copy, and the leading lights at St. Rumwold’s, the Oxford college where Verdoodt teaches archaeology and anthropology, have joined with Sir Boniface Castle, Verdoodt’s publisher, to celebrate. The only one missing from the festivities is Verdoodt, who surely would have attended if he hadn’t already been killed, his body found at the bottom of a staircase. Even though his home base is the Cambridgeshire Constabulary, DCI Arthur St. Just is on hand as the plus-one of his fiancee, criminologist and crime writer Portia De’Ath, and he quickly decides to back up the impetuous DCI Ampleforth of the Thames Valley Police. There’s no lack of suspects. Verdoodt had a reputation for romancing every woman in sight. Minette Miniver, his long-ago girlfriend, had crashed the party in the faint hope of winning him back. David Castle, the publisher’s son and editor-in-chief, was worried that Verdoodt was going to leave Castle Publishing for a more lucrative offer from a more well-established press. And David’s assistant, Gita Patel, has made a discovery about The White Owl that puts the whole case on a different footing. Malliet sketches in the characters so briefly that they’re hard to remember from chapter to chapter, and the solution is likely to disappoint everyone but die-hard Oxonians. But readers will get to pass a few hours in a setting a good deal more august than their reading spaces.

Will this latest case follow the meteoric curve of the victim’s bestselling debut? Don’t hold your breath.

Pub Date: Aug. 1, 2023

ISBN: 9781448311200

Page Count: 240

Publisher: Severn House

Review Posted Online: May 24, 2023

Kirkus Reviews Issue: June 15, 2023

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CLOSE TO DEATH

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.

Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

Pub Date: April 16, 2024

ISBN: 9780063305649

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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DESERT STAR

Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.

A snap of the yo-yo string yanks Harry Bosch out of retirement yet again.

Los Angeles Councilman Jake Pearlman has resurrected the LAPD’s Open-Unsolved Unit in order to reopen the case of his kid sister, Sarah, whose 1994 murder was instantly eclipsed in the press by the O.J. Simpson case when it broke a day later. Since not even a councilor can reconstitute a police unit for a single favored case, Det. Renée Ballard and her mostly volunteer (read: unpaid) crew are expected to reopen some other cold cases as well, giving Bosch a fresh opportunity to gather evidence against Finbar McShane, the crooked manager he’s convinced executed industrial contractor Stephen Gallagher, his wife, and their two children in 2013 and buried them in a single desert grave. The case has haunted Bosch more than any other he failed to close, and he’s fine to work the Pearlman homicide if it’ll give him another crack at McShane. As it turns out, the Pearlman case is considerably more interesting—partly because the break that leads the unit to a surprising new suspect turns out to be both fraught and misleading, partly because identifying the killer is only the beginning of Bosch’s problems. The windup of the Gallagher murders, a testament to sweating every detail and following every lead wherever it goes, is more heartfelt but less wily and dramatic. Fans of the aging detective who fear that he might be mellowing will be happy to hear that “putting him on a team did not make him a team player.”

Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.

Pub Date: Nov. 8, 2022

ISBN: 978-0-316-48565-4

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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