Desperate, suspenseful action in a nightmarish scenario.

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THE AUTOMATIC AGE

A rebuilt veteran of the seventh war and his son struggle to survive in a world that is being systematically swept of human life by robots.

Chomichuk really stacks the deck against Londoners Barry and his dad, Kerion. On the one hand, robots have built a paradise where every store is always fully stocked, every home kept clean and maintained, and all traffic runs automatically. But something has gone wrong in the software, and even the slightest unusual use of electricity or facilities quickly draws squads of armed robotic exterminators called autovolts. The two fugitives have only survived this long because Kerion was massively wounded in combat and so much of his repaired body is prosthetic that he can get close enough to a confused would-be executioner to jack in and fry its circuits. It’s plainly just a matter of time, though, before they’re cornered—and time at last runs out. Dark images of shadowy electronica and human figures too distant or distorted to discern faces or skin color add grim atmospheric notes to a dystopic tale which, being framed in one- to seven-page episodes, has a shocked, staccato feel. Narrowly escaping a particularly persistent pursuer, Kerion at last leads his son away from the city in hopes of finding a place where, as he puts it, “the future never happened.” Good luck with that.

Desperate, suspenseful action in a nightmarish scenario. (Illustrated fantasy. 14-18)

Pub Date: May 30, 2020

ISBN: 978-1-77337-040-8

Page Count: 112

Publisher: Yellow Dog

Review Posted Online: March 1, 2020

Kirkus Reviews Issue: March 15, 2020

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Busy, busy, busy…with portents of doom.

CHAIN OF GOLD

From the Last Hours series , Vol. 1

Clare’s (Ghosts of the Shadow Market, 2019, etc.) latest is set in the Shadowhunter world in the 20th century’s first decade (with frequent flashbacks to the previous one).

Teenage offspring of the Herondales, Carstairs, Fairchilds, and other angel-descended Nephilim continue their families’ demon-fighting ways amid a round of elegant London balls, soirees, salons, picnics, and romantic intrigues. James Herondale, 17-year-old son of Will and Tessa, finds himself and his “perfectly lethal dimple” hung up between two stunning new arrivals: Cordelia Carstairs, red-haired Persian/British wielder of a fabled magic sword, and Grace Blackthorn, an emotionally damaged but (literally, as the author unsubtly telegraphs) spellbinding friend from childhood. Meanwhile, a sudden outbreak of demonic attacks that leave more and more Shadowhunters felled by a mysterious slow poison plunges James and a cohort of allies into frantic searches for both a cause and an antidote. Ichor-splashed encounters with ravening boojums and even one of hell’s own princes ensue—all leading to final hints of a devastating scheme to destroy the Nephilim in which James himself is slated to play a central role. Characters have a range of skin tones, but ethnic diversity adds no texture to the portrayals; there is a lesbian cousin who wears traditionally male clothing and two young gay men (one tortured, the other less so).

Busy, busy, busy…with portents of doom. (Fantasy. 14-18)

Pub Date: March 3, 2020

ISBN: 978-1-4814-3187-3

Page Count: 624

Publisher: McElderry

Review Posted Online: Jan. 23, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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Second installments in trilogies sometimes slump—here’s hoping the third book is a return to the vibrancy of the...

CHILDREN OF VIRTUE AND VENGEANCE

From the Legacy of Orisha series , Vol. 2

In this follow-up to Children of Blood and Bone (2018), Zélie and company are back, and the future of Orïsha hangs in the balance.

Zélie, now a maji Reaper, has achieved her goal and brought magic back to Orïsha, but at great cost. Grief and loss are strong themes throughout the book, compounded by guilt for Zélie, who feels responsible for her father’s death. Zélie and her older brother, Tzain, try to help Princess Amari ascend the throne, believing her family dead—but Queen Nehanda, Amari’s mother, is very much alive and more formidable than they could imagine. The trio join the Iyika, a band of rebel maji working to protect their persecuted people from threats new and old. Though the characters’ trauma reads as real and understandable, their decisions don’t always feel sensible or logical, often stemming from a lack of communication or forethought, which may leave readers frustrated. Though still commendable for its detailed worldbuilding, with an ending compelling enough to keep fans interested in the next installment, much of the book feels like navigating minefields of characters’ ill-advised decisions. All characters are black except for a secondary character with silky black hair, tan skin, and gray eyes “like teardrops.”

Second installments in trilogies sometimes slump—here’s hoping the third book is a return to the vibrancy of the first. (Fantasy. 14-18)

Pub Date: Dec. 3, 2019

ISBN: 978-1-250-17099-6

Page Count: 416

Publisher: Henry Holt

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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