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CESS

A SPOKENING

As much a game as a book, Lish’s latest doesn’t quite track for the plot-driven. Language lovers will enjoy it, though, and...

Noted editor and somewhat less noted writer Lish (Krupp’s Lulu: Stories, 2000, etc.) serves up a post-Joycean slice of mannered modernism to mark the twilight of his years (“I’m gaining on 90…”).

Things were different back when: people puffed on cigarettes (“It was, in that lovely era, a dreadfully smoky affair”), drank by the gallon, and talked cleverly. Women did not work—most women, anyway. One who did was a long-lived aunt of Lish’s who figures as the catalyst for this odd exercise in belletristic cryptography, or perhaps cryptographic belles-lettres. Adele Deutsch, who was “never again at liberty to advertise herself under her given name once she had been inducted, in the 1950s, into the National Reconnaissance Office,” offers a curious sort of mentorship to young Lish once he in turn decides it’s time to enter the workaday world, for who doesn’t want to be a spy? She serves up a deliciously cunning puzzle that underlies this book, most of which is made up of uppercase words arrayed in a list that begins “FLUSH LEFT” and ends “ALL SMALL CAPS.” In between are words that a crossword-puzzle aficionado would cherish and your average speaker of English would blink at, from Haecceity to Ensorcelled to Monadological. The whole enterprise seems like sheer self-indulgence at first blush, but look closely at the list, and puzzles emerge: why do the first letters of a particular sequence spell “CRAP”? Why is the word Interpellate repeated four times in a row on one page? Turns out that Adele the Spook, conductor of multiple affairs and presidential medal winner, isn’t just a devilishly hard setter of mental tasks, but also fun, smart, and wholly unique, “a one-of-a-kind outcrop of humankind”, qualities nicely commemorated in this literary memorial.

As much a game as a book, Lish’s latest doesn’t quite track for the plot-driven. Language lovers will enjoy it, though, and it’s a sight more challenging than your average morning sudoku.

Pub Date: Aug. 31, 2015

ISBN: 978-1-939293-94-7

Page Count: 236

Publisher: OR Books

Review Posted Online: July 16, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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