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CREATION

A NOVEL

What, if anything, is Gore Vidal up to in this long, stylish, densely busy but totally undramatic novel of the Persian Empire, circa 520-445 B.C.? Occasionally he seems to be interested in presenting shrewd alternative versions of textbook history (particularly the Greek-Persian wars), the sort of dusted-off, backroom politics he managed quite well in his American historicals (Burr, 1876). More often he settles down into comparative theology—as his narrator, a grandson of prophet Zoroaster, is somehow able to visit all the great Greek philosophers and Eastern mystics of this remarkable era (Buddha, Confucius, etc.), trying on their theories and asking them the Great Questions. But most of the time Vidal merely seems content to string along incidents, anecdotes, artifacts, and rituals of the period—in a sort of picaresque travelogue with little shape and no momentum whatsoever. We begin in Athens, 445 B.C., where old, blind Cyrus Spitama—the ambassador from Persia—is infuriated by Herodotus' version of "the Persian wars" and responds by dictating his memoirs to nephew Democritus. Cyrus remembers his early years: his special status (as grandson of prophet Zoroaster) at the intrigue-ridden court of Great King Darius, where he grows up alongside Darius' son Xerxes—who saves Cyrus' life (a raging-boar attack), leads some youthful pranks in licentious Babylon, but will always feel doomed because of Darius' usurpation (via murder) of the Persian throne. Cyrus also recalls the real cause of the Greek-Persian Wars—the meddling, opportunistic advice of ambitious Greek hangers-on at Darius' court—and his own efforts to encourage Persian expansion to the east rather than the west. And, chiefly, Cyrus recollects his journeys to the east as Persia's trade-treaty ambassador. To India in search of iron and allies ("If Darius was obliged to walk about naked with a broom in order to gain India, he would")—where he hears the credos of Gosala, Mahavira, and Buddha, witnesses a horse sacrifice, takes an Indian wife, survives a flood, and observes treacherous palace revolutions. And then, after a brief sojourn back in Persia (Xerxes' ascension), to Cathay—where he is taken prisoner, sees vast human sacrifices, meets the sage of Taoism (here called Li Tzu), and gets deeply involved in the power-struggle between a Cathayan dictator and Confucius. (Cyrus finds Confucius a "nag" and an atheist. . . but the most impressive man of all.) This brings Cyrus up to about age 40—and then Vidal, apparently running out of energy, wraps up the next 20 years of his life (the decline and murder of Xerxes, more Greek-Persian conflict) in about 50 pages. . . plus an epilogue in which nephew Democritus suggests his atomic theory as an answer to Cyrus' eternal question: who created the world? Unfortunately, this loose theological-quest framework—what happens when a monotheistic, Heaven/ Hell believer is exposed to the gamut of Eastern philosophy or Western science? —is hardly enough to hold Vidal's meandering novel together. And though Cyrus' crisp, sarcastic tone often livens things up, the sheer onslaught of names and places and byzantine mini-plots (none of them developed with any depth or drama) will leave most readers confused and disappointed. Lots of jauntily fictionalized fact, legend, geography, and exotic cultural sociology, then—but only those with a great knowledge of (or appetite for) this theo-historical territory will want to ride along the whole length of Cyrus' journey.

Pub Date: March 26, 1981

ISBN: 0375727051

Page Count: 592

Publisher: N/A

Review Posted Online: Nov. 11, 2013

Kirkus Reviews Issue: March 1, 1981

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THE SUMMER I MET JACK

A riveting tale about America’s most romanticized family.

A Polish-Jewish immigrant has a romantic affair with John F. Kennedy in this vivid historical novel.

Barbara Kopczysnka leaves Poland in the late 1940s and arrives fresh-faced and ambitious in Oklahoma. She changes her name to Alicia Darr and moves in with other displaced young women. When Irenka, one of her roommates, relocates to the East Coast, Alicia follows her to Hyannisport and secures a position as a maid to the boisterous Kennedy family. Each Kennedy seems quirkier than the next—from the stern and exacting Rose to her philandering and controlling husband, Joe. Yet none of the Kennedys is as magnetic or enchanting as the handsome, larger-than-life Jack. Alicia is immediately smitten, and to her great delight, her affections are returned. After a whirlwind courtship, the young Congressman proposes to Alicia. Unfortunately, Alicia’s old friend Irenka sells her out, alerting Joe that his son has proposed to a Jew. Concerned about the consequences of Alicia’s religious background on Jack’s political career, Joe forbids the marriage. Although Jack seems prepared to defy his father, Alicia understands that without Joe's blessing, the couple will never enjoy a truly successful marriage, so she ends the affair. The book then tracks Jack’s astronomical political ascent as well as the new life Alicia builds for herself in Hollywood. As the years pass, Jack simply cannot forget Alicia, and he continues to pursue her well into his married days. As the Kennedy family becomes increasingly powerful, Alicia’s position as Jack’s true love seems to put her in great danger. Based on true events from the life of American socialite Alicia Corning Clark, the story offers an alternate Kennedy family history that will leave readers wondering whether America knew the real JFK at all.

A riveting tale about America’s most romanticized family.

Pub Date: May 22, 2018

ISBN: 978-1-250-10324-6

Page Count: 448

Publisher: St. Martin's

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

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THE FORGOTTEN GARDEN

Murky, but the puzzle is pleasing and the long-delayed “reveal” is a genuine surprise.

A four-year-old girl abandoned aboard a ship touches off a century-long inquiry into her ancestry, in Morton’s weighty, at times unwieldy, second novel (The House at Riverton, 2008).

In 1913, Hugh, portmaster of Maryborough, Australia, discovers a child alone on a vessel newly arrived from England. The little girl cannot recall her name and has no identification, only a white suitcase containing some clothes and a book of fairy tales by Eliza Makepeace. Hugh and his wife, childless after several miscarriages, name the girl Nell and raise her as their own. At 21, she is engaged to be married and has no idea she is not their biological daughter. When Hugh confesses the truth, Nell’s equilibrium is destroyed, but life and World War II intervene, and she doesn’t explore her true origins until 1975, when she journeys to London. There she learns of Eliza’s sickly cousin Rose, daughter of Lord Linus Mountrachet and his lowborn, tightly wound wife, Lady Adeline. Mountrachet’s beloved sister Georgiana disgraced the family by running off to London to live in squalor with a sailor, who then abruptly disappeared. Eliza was their daughter, reclaimed by Linus after Georgiana’s death and brought back to Blackhurst, the gloomy Mountrachet manor in Cornwall. Interviewing secretive locals at Blackhurst, now under renovation as a hotel, Nell traces her parentage to Rose and her husband, society portraitist Nathaniel Walker—except that their only daughter died at age four. Nell’s quest is interrupted at this point, but after her death in 2005, her granddaughter Cassandra takes it up. Intricate, intersecting narratives, heavy-handed fairy-tale symbolism and a giant red herring suggesting possible incest create a thicket of clues as impenetrable and treacherous as Eliza’s overgrown garden and the twisty maze on the Mountrachet estate.

Murky, but the puzzle is pleasing and the long-delayed “reveal” is a genuine surprise.

Pub Date: April 7, 2009

ISBN: 978-1-4165-5054-9

Page Count: 552

Publisher: Atria

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2009

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