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THE COLLECTED ESSAYS OF GORE VIDAL

Nearly six decades’ worth of eloquent bile, dispensed with unmatched craft and wit.

A splendid, savvy distillation of the best from the veteran novelist and essayist.

This lively volume’s raison d’etre is the inclusion of recent politically charged commentary, but most readers will huddle happily with its several golden oldies. For example, the included non-literary essays conclude with “Black Tuesday,” a reaction to the events of 9/11 that draws the mordant conclusion that “each month we are confronted by a new horrendous enemy at whom we must strike before he destroys us.” Fair—and true—enough, but lesser mortals have made such observations. It took a writer of Vidal’s prodigious gifts to deflate the godlike reputations of the Kennedy clan (“The Holy Family”) and America’s most ebulliently macho chief executive (“Theodore Roosevelt: An American Sissy”), and to examine tax inequity and activism during our early history (“Homage to Daniel Shays”) and the late unlamented 1970s (“The Second American Revolution”). Elsewhere, in a clutch of literary essays, Vidal honors such critically embattled contemporaries as Tennessee Williams, Edmund Wilson and the now-rediscovered Dawn Powell. He’s rougher on others, such as the purveyors of “new fiction” led by maverick innovators Pynchon and Barthes (“American Plastic: The Matter of Fiction”) and university-based scholar-critics who overexplain and obfuscate the obvious (“The Hacks of Academe”). But Vidal strolls through many arenas, offering an affectionately incisive guide to Italo Calvino’s whimsical complexity and a brilliant analysis—really, it’s almost beyond praise—of the industrious and honorable William Dean Howells, whom Vidal has the good sense to admire almost unreservedly.

Nearly six decades’ worth of eloquent bile, dispensed with unmatched craft and wit.

Pub Date: June 17, 2008

ISBN: 978-0-385-52484-1

Page Count: 480

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2008

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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