by Grace Lin ; illustrated by Grace Lin ‧ RELEASE DATE: Aug. 28, 2018
A warm and glowing modern myth.
Little Star has trouble resisting the Big Mooncake that Mama has hung in the sky in Lin’s (When the Sea Turned Silver, 2016, etc.) luminous departure from her usual block-print style.
After Little Star and her mama, both wearing jet-black pajamas adorned with bright yellow stars, bake a huge yellow mooncake, Mama reminds Little Star to leave it in the sky to cool. Of course Little Star tries, but she wakes in the night, unable to resist taking a tiny nibble. Mama surely won’t notice. Each subsequent night, Little Star steals another bite, and soon observant readers may realize what is happening: The Big Mooncake is waning from a full moon to a new moon. Lin’s storytelling is both clever and radiant. Painted in gouache against perfectly black pages, the characters’ pajamas have no edges, only the stars defining the separation between foreground and background. The mooncake gleams against the black as well, crumbs scattering like stars in the sky—a visual delight, suffusing the book with a feeling of otherworldliness that is offset by Little Star’s childlike authenticity and her loving relationship with Mama. An author’s note on the jacket flap indicates that while this story is not rooted in Chinese cosmology, it is Lin’s homage to the Mid-Autumn Moon Festival, her “favorite Asian holiday.”
A warm and glowing modern myth. (Picture book. 3-8)Pub Date: Aug. 28, 2018
ISBN: 978-0-316-40448-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: April 24, 2018
Kirkus Reviews Issue: May 15, 2018
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by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 13, 2016
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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by Susan Verde ; illustrated by Juliana Perdomo
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by Susan Verde ; illustrated by Peter H. Reynolds
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by Susan Verde ; illustrated by Juliana Perdomo
by Pip Jones ; illustrated by Sara Ogilvie ‧ RELEASE DATE: March 1, 2020
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Pip Jones ; illustrated by Sara Ogilvie
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by Pip Jones ; illustrated by Laura Hughes
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by Pip Jones ; illustrated by Ella Okstad
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