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LALA'S WORDS

A STORY OF PLANTING KINDNESS

Lala’s enthusiasm blossoms on the page.

A small girl, full of energy and color, brings her love of nature to a dull gray city.

In the heat of the heavy, hot summer, everyone in a black-and-gray–hued city is still…except for Lala, in an effervescent yellow dress, who’s jumping, running, and tripping across the page. Her exasperated mother does not understand this whirlwind of energy, frowning at a floor covered in clutter or exclaiming about dirt tracked on the floor. Blithe Lala, however, loves nothing more than to visit an empty lot around the corner, where she tends to the weeds and scraggly plants—rendered in vibrant greens with yellow highlights—whom she considers friends. But on the hottest day of summer, when her mother finally forbids her to step foot outside, “Lala cried and cried. Who would visit her little friends?” She sends her love out to the plants in whispers all day, and the next morning, the neighborhood wakes to a miraculous sight. A giant green plant now covers the entire neighborhood with its shade! More importantly, Lala’s neighborhood now also glows the same bright yellow as Lala’s dress, and her mother recognizes her inner light. Zhang’s message extolling the benefits of tending to nature is a bit too on the nose, but her use of only two colors—yellow and green—against a gray city to convey the exuberance of Lala’s love and the rejuvenating force of nature is lovely. Lala and her mother both have straight, black hair and skin the white of the page.

Lala’s enthusiasm blossoms on the page. (Picture book. 3-7)

Pub Date: July 6, 2021

ISBN: 978-1-338-64823-2

Page Count: 48

Publisher: Scholastic

Review Posted Online: May 4, 2021

Kirkus Reviews Issue: May 15, 2021

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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