Embellishing colorplates that appeared in a 1990 calendar, and with his tongue resolutely in cheek, Base (The Sign of the Seahorse, 1992, etc.) narrates a mock-scientific treatise on serpentology in the voice of Victorian scientist Rowland W. Greasebeam, B.Sc., F.R.Aud., who claims to have located original letters (``from a variety of sources that propriety demands must remain confidential'') proving the discovery of dragons by a ninth- century Viking, a thirteenth-century Chinese maiden, and a fellow Victorian naturalist. In an oversize format, the letters appear as facsimiles, accompanied by spectacular full-color paintings of the dragons, with editorial notes, plate captions, maps, and scale drawings that compare the dragon in question to a horse, a mouse, an elephant, or—in one case—a human beating a quick retreat. Greasebeam's stuffy self-importance provides much of the fun; especially hilarious are references to his rival, Professor Marty Fibblewitz, that demonstrate in only slightly exaggerated form the legendary infighting among academics. The letters are full of silly details, such as this line in Viking Bjorn's letterhead: ``General Looting and Pillaging, Gratuitous Violence a Specialty.'' A cartoon sequence at the bottom of the spreads illustrates the ``plot'' of each letter and offers children a chance to read between the lines for funny subplots. Throughout, Base speaks for the scientists, author, editors, and the publisher, with wit that is accessible to children and that cannot be ignored by adults. A humorous, self-referential tour de force with resplendent illustrations. (Author tour) (Picture book. 10+)
Pub Date: Nov. 1, 1996
ISBN: 0-8109-3237-7
Page Count: 36
Publisher: Abrams
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
The inevitable go-to for Percy’s legions of fans who want the stories behind his stories.
Percy Jackson takes a break from adventuring to serve up the Greek gods like flapjacks at a church breakfast.
Percy is on form as he debriefs readers concerning Chaos, Gaea, Ouranos and Pontus, Dionysus, Ariadne and Persephone, all in his dude’s patter: “He’d forgotten how beautiful Gaea could be when she wasn’t all yelling up in his face.” Here they are, all 12 Olympians, plus many various offspring and associates: the gold standard of dysfunctional families, whom Percy plays like a lute, sometimes lyrically, sometimes with a more sardonic air. Percy’s gift, which is no great secret, is to breathe new life into the gods. Closest attention is paid to the Olympians, but Riordan has a sure touch when it comes to fitting much into a small space—as does Rocco’s artwork, which smokes and writhes on the page as if hit by lightning—so readers will also meet Makaria, “goddess of blessed peaceful deaths,” and the Theban Teiresias, who accidentally sees Athena bathing. She blinds him but also gives him the ability to understand the language of birds. The atmosphere crackles and then dissolves, again and again: “He could even send the Furies after living people if they committed a truly horrific crime—like killing a family member, desecrating a temple, or singing Journey songs on karaoke night.”
The inevitable go-to for Percy’s legions of fans who want the stories behind his stories. (Mythology. 10-14)Pub Date: Aug. 19, 2014
ISBN: 978-1-4231-8364-8
Page Count: 336
Publisher: Disney-Hyperion
Review Posted Online: June 28, 2014
Kirkus Reviews Issue: July 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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