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BLENDED

A well-written but underplotted tale about family dynamics and interpersonal relationships.

A literary novel tells the story of an American woman’s involvement with a family of Pakistani refugees.

Tillie Marsden of Bishop Grove, Oregon, has an altruistic bent that she attempts to satisfy through various activities: gardening, working for the American Cancer Society, and volunteering at her church. Her husband, the fiscally conservative though generally benign workaholic Bill, doesn’t really understand his wife’s drive. Her stepson, Jacob, a surly college student who hasn’t yet moved out, offers Tillie mostly silence. Through her pastor, Tillie is connected to a family of newly resettled Pakistani refugees in order to help them assimilate into life in Bishop Grove. Attempting (not always successfully) to check her prejudices at the door, Tillie enters the lives of Bahram, Mira, and their seven young children. They don’t offer Tillie much in the way of their backstory, and she is too polite to ask, though she can’t help but pick up on some tensions in their household. Bahram, a former translator for a U.S. contractor, is enthusiastic about American life, but Mira and the children seem less so. “Didn’t Bahram notice that his wife seemed unhappy?” Tillie wonders. “Can’t he see that there’s something not right with the kids?” Her interactions with Bahram and Mira cause Tillie to begin to question her own (third) marriage and the struggles she has with her blended family—struggles that she perceived as American but which may in fact be universal. Tillie’s association with this new family will force new perspectives on the other relationships in her life, though not always in the way one would expect. Daniels (Venus Looks Down on a Prairie Vole, 2016, etc.) writes in an elegant, fluid prose that keeps close to the thoughts of his characters as they observe and interrogate the people around them: “As he continued to laud all things American, or at least Oregonian, Tillie felt restless. Bahram’s affectations were taking on a bitter flavor, suggesting a back-story that was less about greener grass and more about corrupt humanity.” Tillie is particularly prone to second-guessing the words and motives of others, creating a mood of tense mystery in what is otherwise a fairly straightforward tale. The deep dive that the author takes into the twinned lives of the two families is an admirable attempt to figure out something about America’s view of itself and the outside world. Even so, the book does not offer much in the way of plot (particularly for a novel that is 350 pages). Much of the narrative hinges on unasked questions and misunderstandings, resulting in a rather shapeless and unsatisfying final act. Tillie is well-constructed and emotionally coherent, with motivations that are believably rooted in her personal history. Readers’ connections to her should manage to sustain them for most of the story. By the end, though, they will likely wish that Tillie was pushed a little more (and more often) into situations that would dramatize her inner conflicts on a larger scale.

A well-written but underplotted tale about family dynamics and interpersonal relationships.

Pub Date: Oct. 14, 2017

ISBN: 978-0-692-93849-2

Page Count: 350

Publisher: CreateSpace

Review Posted Online: Feb. 13, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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